Psiax - Works (selection)

Works (selection)

  • Brescia, Museo
black-figure belly amphora
  • Karlsruhe, Badisches Landesmuseum
B 120 red-figure alabastron (signed; potter: Hilinos)
  • London, British Museum
1980.10-29.1 (formerly Castle Ashby) black-figure neck amphora (potter: Andokides)
Neck front: Dionysos between two satyrs, back: Warrior in chariot in frontal perspective between two youths
  • Madrid, National Archaeological Museum of Spain
11008 (L 63) bilingual belly amphora (potter: Andokides)
Front: Apollo with kithara between Artemis, Leto and Ares; back: Dionysos with kantharos between satyrs and maenads
  • Malibu, J. Paul Getty Museum
86.AE.278 red-figure cup
90.AE.122 black-figure mastos
  • New York, Metropolitan Museum
63.11.6 red-figure belly amphora with black-figure lip
Front: fight over the tripod, back: Dionysos with kantharos between maenad and satyr (Lip: Psiax, main images: Andokides Painter)
  • Odessa, Archaeological Museum
266602 red-figure alabastron (signed; potter: Hilinos)
  • Philadelphia, University Museum
5349 red-figure belly amphora (potter: Menon)

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    The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.
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