Proper Dos is a Mexican-American hip hop group composed of Frank Villareal (rapper), Ernie Gonzalez (producer), "Big Bass" Brian (mastering), and Stuart Wylen (bass guitar, keyboards, congas). The group released an album, Mexican Power, in 1992 on Rhino Records. After this came We're at It Again in 1995, Heat in 1998, and Overdose in 1999.
A street-style group; Proper Dos' main lyricist is Frank Villareal. However, Proper Dos has also had help on some recordings by special guests including Big Shady, Lil Rob, Point Blank, Royal T, Knightowl, and others.
In 1992, the group finished their potent debut album, Mexican Power, under the Rhino Records label. "One Summer Night," "Life of a Gangster," "No Turning Back," and "Hard Time" are a few of the hip-hop/chicano rap mixed numbers on the debut.
Proper Dos recorded a number of singles, and then finally, three years later, came a second album, rightly named We're at It Again, released by Skanless Records. Another three years went by before the album Heat hit the store shelves, followed a year later by Overdose. The album Overdose carries numbers like "Shake the Ground," "We Run This Mutha," and "Can You Rock Like This." Many of the tunes have explicit lyrics.
In 2000, Proper Dos saw the release of another album, Brown Pride Riders, Vol. 2, which the group completed with Lil Rob and Knightowl.
Famous quotes containing the words proper and/or dos:
“It is proper to take alarm at the first experiment on our liberties.... Who does not see that the same authority which can establish Christianity, in exclusion of all other Religions, may establish with the same ease any particular sect of Christians, in exclusion of all other sects?”
—James Madison (1751–1836)
“And hereby hangs a moral highly applicable to our own trustee-ridden universities, if to nothing else. If we really wanted liberty of speech and thought, we could probably get it—Spain fifty years ago certainly had a longer tradition of despotism than has the United States—but do we want it? In these years we will see.”
—John Dos Passos (1896–1970)