Music
From The New York Times: "Though the work featured memorable dance sequences by a choreographer on the rise named Michael Bennett, what really set it apart was its score, written by the solid-gold pop composer Burt Bacharach with lyrics by Hal David. Mr. Bacharach introduced to Broadway not only the insistently rhythmic, commercial-jingle buoyancy of 1960's soft-core radio fare, but also a cinematic use of Teflon-smooth, offstage backup vocals."
The best-known songs from the musical include the title song, which was an international hit for Dionne Warwick, released before the show's December 1968 Broadway opening; "I'll Never Fall in Love Again", a hit for Warwick in the US and Canada (No. 6 and No. 1, respectively) and for Bobbie Gentry in the UK (No. 1); "Knowing When To Leave" (also recorded by Warwick), "She Likes Basketball" and "Turkey Lurkey Time", a dance number featuring McKechnie, Lee and Sappington. Warwick also recorded "Whoever You Are (I Love You)" and "Wanting Things" in 1968 before the show opened for her Scepter LP "Promises, Promises".
Read more about this topic: Promises, Promises (musical)
Famous quotes containing the word music:
“I cannot say what poetry is; I know that our sufferings and our concentrated joy, our states of plunging far and dark and turning to come back to the world—so that the moment of intense turning seems still and universal—all are here, in a music like the music of our time, like the hero and like the anonymous forgotten; and there is an exchange here in which our lives are met, and created.”
—Muriel Rukeyser (1913–1980)
“He turned out to belong to the type of publisher who dreams of becoming a male muse to his author, and our brief conjunction ended abruptly upon his suggesting I replace chess by music and make Luzhin a demented violinist.”
—Vladimir Nabokov (1899–1977)
“The further jazz moves away from the stark blue continuum and the collective realities of Afro-American and American life, the more it moves into academic concert-hall lifelessness, which can be replicated by any middle class showing off its music lessons.”
—Imamu Amiri Baraka (b. 1934)