Music
From The New York Times: "Though the work featured memorable dance sequences by a choreographer on the rise named Michael Bennett, what really set it apart was its score, written by the solid-gold pop composer Burt Bacharach with lyrics by Hal David. Mr. Bacharach introduced to Broadway not only the insistently rhythmic, commercial-jingle buoyancy of 1960's soft-core radio fare, but also a cinematic use of Teflon-smooth, offstage backup vocals."
The best-known songs from the musical include the title song, which was an international hit for Dionne Warwick, released before the show's December 1968 Broadway opening; "I'll Never Fall in Love Again", a hit for Warwick in the US and Canada (No. 6 and No. 1, respectively) and for Bobbie Gentry in the UK (No. 1); "Knowing When To Leave" (also recorded by Warwick), "She Likes Basketball" and "Turkey Lurkey Time", a dance number featuring McKechnie, Lee and Sappington. Warwick also recorded "Whoever You Are (I Love You)" and "Wanting Things" in 1968 before the show opened for her Scepter LP "Promises, Promises".
Read more about this topic: Promises, Promises (musical)
Famous quotes containing the word music:
“Good-by, my book! Like mortal eyes, imagined ones must close some day. Onegin from his knees will rise—but his creator strolls away. And yet the ear cannot right now part with the music and allow the tale to fade; the chords of fate itself continue to vibrate; and no obstruction for the sage exists where I have put The End: the shadows of my world extend beyond the skyline of the page, blue as tomorrow’s morning haze—nor does this terminate the phrase.”
—Vladimir Nabokov (1899–1977)
“The average educated man in America has about as much knowledge of what a political idea is as he has of the principles of counterpoint. Each is a thing used in politics or music which those fellows who practise politics or music manipulate somehow. Show him one and he will deny that it is politics at all. It must be corrupt or he will not recognize it. He has only seen dried figs. He has only thought dried thoughts. A live thought or a real idea is against the rules of his mind.”
—John Jay Chapman (1862–1933)
“Music is either sacred or secular. The sacred agrees with its dignity, and here has its greatest effect on life, an effect that remains the same through all ages and epochs. Secular music should be cheerful throughout.”
—Johann Wolfgang Von Goethe (1749–1832)