The Post-war Years
| Year | Play | Theatre |
|---|---|---|
| 1947 | Hamlet | Elizabethan Theatre |
| 1947 | Love's Labour's Lost | Elizabethan Theatre |
| 1947 | Macbeth | Elizabethan Theatre |
| 1947 | The Merchant of Venice | Elizabethan Theatre |
| 1948 | King John | Elizabethan Theatre |
| 1948 | Love's Labor's Lost | Elizabethan Theatre |
| 1948 | Othello | Elizabethan Theatre |
| 1948 | The Merchant of Venice | Elizabethan Theatre |
| 1949 | A Midsummer Night's Dream | Elizabethan Theatre |
| 1949 | Othello | Elizabethan Theatre |
| 1949 | Richard II | Elizabethan Theatre |
| 1949 | Romeo and Juliet | Elizabethan Theatre |
| 1949 | The Taming of the Shrew | Elizabethan Theatre |
| 1950 | Antony and Cleopatra | Elizabethan Theatre |
| 1950 | As You Like It | Elizabethan Theatre |
| 1950 | Henry IV, Part I | Elizabethan Theatre |
| 1950 | The Comedy of Errors | Elizabethan Theatre |
| 1951 | King Lear | Elizabethan Theatre |
| 1951 | Measure for Measure | Elizabethan Theatre |
| 1951 | Henry IV, Part II | Elizabethan Theatre |
| 1951 | Twelfth Night | Elizabethan Theatre |
| 1951—November | Antigone | Lithia Theatre |
| 1951—November | On Monday Next | Lithia Theatre |
| 1951—November | Ten Little Indians | Lithia Theatre |
| 1951—November | The Late Christopher Bean | Lithia Theatre |
| 1952—April–May | Arsenic and Old Lace | Lithia Theatre |
| 1952—April–May | Claudia | Lithia Theatre |
| 1952—April–May | Death of a Salesman | Lithia Theatre |
| 1952—April–May | The Importance of Being Earnest | Lithia Theatre |
| 1952 | Henry V | Elizabethan Theatre |
| 1952 | Julius Caesar | Elizabethan Theatre |
| 1952 | Much Ado About Nothing | Elizabethan Theatre |
| 1952 | The Tempest | Elizabethan Theatre |
| 1952—Oct.-November | Dracula | Lithia Theatre |
| 1952—November | The Glass Menagerie | Lithia Theatre |
| 1952—November | The Show-Off | Lithia Theatre |
| 1952—November | The Vinegar Tree | Lithia Theatre |
| 1953 | Coriolanus | Elizabethan Theatre |
| 1953 | Henry VI, Part I | Elizabethan Theatre |
| 1953 | The Merchant of Venice | Elizabethan Theatre |
| 1953 | The Taming of the Shrew | Elizabethan Theatre |
| 1954 | Henry VI, Part II | Elizabethan Theatre |
| 1954 | Hamlet | Elizabethan Theatre |
| 1954 | The Merry Wives of Windsor | Elizabethan Theatre |
| 1954 | The Winter's Tale | Elizabethan Theatre |
| 1955 | A Midsummer Night's Dream | Elizabethan Theatre |
| 1955 | All's Well That Ends Well | Elizabethan Theatre |
| 1955 | Henry VI, Part III | Elizabethan Theatre |
| 1955 | Macbeth | Elizabethan Theatre |
| 1955 | Timon of Athens | Elizabethan Theatre |
| 1956 | Cymbeline | Elizabethan Theatre |
| 1956 | Love's Labor's Lost | Elizabethan Theatre |
| 1956 | Richard III | Elizabethan Theatre |
| 1956 | Romeo and Juliet | Elizabethan Theatre |
| 1956 | Titus Andronicus | Elizabethan Theatre |
| 1957 | As You Like It | Elizabethan Theatre |
| 1957 | Henry VIII | Elizabethan Theatre |
| 1957 | Othello | Elizabethan Theatre |
| 1957 | Pericles, Prince of Tyre | Elizabethan Theatre |
| 1957 | The Two Gentlemen of Verona | Elizabethan Theatre |
| 1958 | King Lear | Elizabethan Theatre |
| 1958 | Much Ado About Nothing | Elizabethan Theatre |
| 1958 | The Merchant of Venice | Elizabethan Theatre |
| 1958 | Troilus and Cressida | Elizabethan Theatre |
| 1959 | Antony and Cleopatra | Elizabethan Theatre |
| 1959 | King John | Elizabethan Theatre |
| 1959 | Measure for Measure | Elizabethan Theatre |
| 1959 | Twelfth Night | Elizabethan Theatre |
| 1959 | The Maske of the New World | Elizabethan Theatre |
Read more about this topic: Production History Of The Oregon Shakespeare Festival
Famous quotes containing the words post-war and/or years:
“Much of what Mr. Wallace calls his global thinking is, no matter how you slice it, still “globaloney.” Mr. Wallace’s warp of sense and his woof of nonsense is very tricky cloth out of which to cut the pattern of a post-war world.”
—Clare Boothe Luce (1903–1987)
“Adolescents are travelers, far from home with no native land, neither children nor adults. They are jet-setters who fly from one country to another with amazing speed. Sometimes they are four years old, an hour later they are twenty-five. They don’t really fit anywhere. There’s a yearning for place, a search for solid ground.”
—Mary Pipher (20th century)