A production code number, also known as the production code (PC) or episode code is an alphanumeric designation used to uniquely identify episodes within a television series. It is also broadly used for other identification purposes where a unique production number is desirable; for example, automobile manufacturers use production numbers as part of the vehicle identification number. But since each studio can freely generate its own PC format, it cannot be used universally to identify the show and episode.
While, in general, television episodes are filmed in the order they are intended to be aired in, there are circumstances in which this is not the case. In these instances, the production codes can be useful in determining the writers' original intentions.
Some "stand-alone" shows, such as The Simpsons or Law & Order, may film episodes in radically different order to how they are aired, because character development and continuity are not major aspects of production. The airing order may in the end be decided by the network, based on ratings, sweeps months, or other network's competition.
Other, more serialized series, like Desperate Housewives, will air all of their episodes in order.
In some rare cases, shows will film episodes out of order to accommodate guest stars' schedules, or to work around main stars' movie schedules. A good example of this is The X-Files, which filmed episodes out of order in its fifth and sixth seasons to accommodate the shooting schedules of main stars Gillian Anderson and David Duchovny.
Famous quotes containing the words production, code and/or number:
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)
“...I had grown up in a world that was dominated by immature age. Not by vigorous immaturity, but by immaturity that was old and tired and prudent, that loved ritual and rubric, and was utterly wanting in curiosity about the new and the strange. Its era has passed away, and the world it made has crumbled around us. Its finest creation, a code of manners, has been ridiculed and discarded.”
—Ellen Glasgow (1873–1945)
“The serial number of a human specimen is the face, that accidental and unrepeatable combination of features. It reflects neither character nor soul, nor what we call the self. The face is only the serial number of a specimen.”
—Milan Kundera (b. 1929)