Processual Archaeology - Criticism

Criticism

Processual archaeologist David L. Clarke suggested that the New Archaeology would face particular opposition from amateurs, historical archaeologists and practical excavators, although argued that such individuals would nevertheless benefit from the theory's adoption.

Processualism began to be critiqued soon after it emerged, initiating a theoretical movement that would come to be called post-processualism. Post-processualist critics consider the main weaknesses of processual archaeology to be:

  • environmental determinism
  • lack of human agency
  • view of cultures as homeostatic, with cultural change only resulting from outside stimuli
  • failure to take into account factors such as gender, ethnicity, identity, social relations, etc.
  • supposed objectivity of interpretation

Writing in 1987, the archaeologist Christopher Chippindale of Cambridge University spoke on the view of processualism at that time, putting it in the context of the 1960s, when he stated that:

The sharper students of the current generation reasonably regard the "New Archaeology" in its pristine form as a period piece, as strange an artefact of that remote era as the Paris évènements or Woodstock. They have some cause: the then-radical insistence that nothing valuable had been written in archaeology before 1960 matched the hippie belief that anyone over 30 was too ancient to be intelligent, and the optimism that anything could be recovered from the archaeological record if only you searched hard enough was the archaeological version of the hope that the Pentagon could be levitated if only enough people had sufficient faith.

Read more about this topic:  Processual Archaeology

Famous quotes containing the word criticism:

    Like speaks to like only; labor to labor, philosophy to philosophy, criticism to criticism, poetry to poetry. Literature speaks how much still to the past, how little to the future, how much to the East, how little to the West.
    Henry David Thoreau (1817–1862)

    The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.
    Camille Paglia (b. 1947)

    ... criticism ... makes very little dent upon me, unless I think there is some real justification and something should be done.
    Eleanor Roosevelt (1884–1962)