Prix Europa - History

History

In 1997, the Prix Futura Berlin, which had been launched in 1969, and the Prix Europa, which had been launched in 1987, merged. Since then this trimedial festival takes place every October in the German Berlin-Brandenburg region under the joint name Prix Europa open for television-, radio- and online productions.

Set up in 1987 by the Council of Europe and the European Cultural Foundation it now has the backing of around 25 partners, including institutions like the European Parliament, the European Broadcasting Union (EBU), the European Alliance for Television and Culture and national broadcasters like Radio France, YLE Finnish Broadcasting, Telwizja Polska, Zweites Deutsches Fernsehen or Österreichischer Rundfunk.

In 1997, Prix Futura Berlin merged into Prix Europa.

In 2000 the Dutch Prix IRIS amalgamated with the Prix Europa, and since 2001 the "new" media has also been represented with the award Prix Europa Exploration. In 2011 Prix Europa will be staged for the 25th time.

During the festival week, several broadcasting relevant special events are held for participants. Each year, the opening ceremony is broadcast live via the EBU network. The festival also manages the bi-annual Radio Day of European Cultures.

The festival language is English.

Read more about this topic:  Prix Europa

Famous quotes containing the word history:

    The view of Jerusalem is the history of the world; it is more, it is the history of earth and of heaven.
    Benjamin Disraeli (1804–1881)

    You that would judge me do not judge alone
    This book or that, come to this hallowed place
    Where my friends’ portraits hang and look thereon;
    Ireland’s history in their lineaments trace;
    Think where man’s glory most begins and ends
    And say my glory was I had such friends.
    William Butler Yeats (1865–1939)

    The history of work has been, in part, the history of the worker’s body. Production depended on what the body could accomplish with strength and skill. Techniques that improve output have been driven by a general desire to decrease the pain of labor as well as by employers’ intentions to escape dependency upon that knowledge which only the sentient laboring body could provide.
    Shoshana Zuboff (b. 1951)