Pritam - Solo Career

Solo Career

Pritam's career as a solo composer started with ″Fun2shh...Dudes in the 10th Century″, ″Agnipankh″, ″Ankahee″ etc. In 2004, Pritam composed the music for Sanjay Gadhvi's film, Dhoom, which was a runaway success with ″Dhoom Machale″ topping the charts everywhere.

The success of Dhoom continued with a string of hit songs like Halka Halka from Chocolate, Garam Masala, Gangster, Woh Lamhe and Dhoom 2 Life In A Metro directed by Anurag Basu, portrayed Pritam in a different manner where he featured in the film as part of the Metro band in 2007.

There was no looking back for Pritam after this as he went on to score chartbusters in films like [[Singh Is King, Kismat Konnection, Bhool Bhulaiyaa, Awarapan, Dhan Dhana Dhan, Goal, Jab We Met, Race, Naqaab, Jannat, Billu, Love Aaj Kal, Golmaal Returns, Tum Mile, Ajab Prem Ki Ghazab Kahani, De Dana Dan, Badmaash Company, Raajneeti, Once Upon A Time In Mumbaai, Crook, Action Replayy, Golmaal 3, Dil Toh Baccha Hai Ji, Dum Maaro Dum, Ready, Mausam, Desi Boyz, Players, Agent Vinod (2012 film), Jannat 2, Ferrari Ki Sawaari, Cocktail, Barfi!, Rush, Murder 3 and more.

Read more about this topic:  Pritam

Famous quotes containing the words solo and/or career:

    All mothers need instruction, nurturing, and an understanding mentor after the birth of a baby, but in this age of fast foods, fast tracks, and fast lanes, it doesn’t always happen. While we live in a society that provides recognition for just about every life event—from baptisms to bar mitzvahs, from wedding vows to funeral rites—the entry into parenting seems to be a solo flight, with nothing and no one to mark formally the new mom’s entry into motherhood.
    Sally Placksin (20th century)

    He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.
    George Eliot [Mary Ann (or Marian)