Production
While writing the script, Carruth studied physics to help him make Abe and Aaron's technical dialogue sound authentic. He took the unusual step of eschewing contrived exposition, and tried instead to portray the shorthand phrases and jargon used by working scientists. This philosophy carried over into production design. The time machine itself is a plain gray box, with a distinctive electronic "hum" created by overlaying the sounds of a mechanical grinder and a car engine, rather than by using a processed digital effect. Carruth also set the story in unglamorous industrial parks and suburban tract homes.
Carruth chose to deliberately obfuscate the film's plot to mirror the complexity and confusion created by time travel. As he said in a 2004 interview: "This machine and Abe and Aaron's experience are inherently complicated so it needed to be that way in order for the audience to be where Abe and Aaron are, which was always my hope."
Primer was filmed in five weeks, on the outskirts of Dallas, Texas. It was produced on a budget of only $7,000 US, and a skeleton crew of five. Shane Carruth acted as writer, director, producer, cinematographer, editor, and music composer. He also stars in the film as Aaron, and many of the other characters are played by his friends and family. The small budget required conservative use of the Super 16mm filmstock. The extremely low shooting ratio of 2:1 meant they had to carefully limit the number of takes. Every shot in the film was meticulously storyboarded on 35mm stills. Carruth created a distinctive flat, overexposed look for the film by using fluorescent lighting, non-neutral color temperatures, high-speed film stock, and filters.
After principal photography, Carruth took two years to fully post-produce Primer. He has since said that this experience was so arduous that he almost abandoned the film on several occasions.
All music for the film was created by Shane Carruth. On October 8, 2004, the Primer score was released on Amazon and iTunes.
Read more about this topic: Primer (film)
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—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
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