Pretty Woman

Pretty Woman is a 1990 romantic comedy film set in Los Angeles, California. Written by J.F. Lawton and directed by Garry Marshall, the film stars Richard Gere and Julia Roberts, and features Hector Elizondo, Ralph Bellamy (in his final performance), and Jason Alexander in supporting roles. The story of Pretty Woman centers on the down-on-her-luck Hollywood prostitute Vivian Ward who is hired by a wealthy businessman, Edward Lewis, to be his escort for several business and social functions, and their developing relationship over the course of Vivian's week-long stay with him.

Originally intended to be a dark cautionary tale about class and prostitution in Los Angeles, this motion picture was reconceived as romantic comedy with a large budget. It was widely successful at the box office, and it became one of the highest money-makers of 1990.

Today it is one of the most financially successful entries in the romantic comedy genre, with an estimated gross income of $463.4 million. And has reached near cult status among romantic comedy aficionados and is considered by many critics to be the most successful movie in the genre.

Pretty Woman is considered to be one of the most popular films of all time, It also saw the highest number of ticket sales in the US ever for a romantic comedy with Boxofficemojo lists it as the #1 romantic comedy by the highest estimated domestic tickets sold at 42,176,400, slightly ahead of My Big Fat Greek Wedding at 41,419,500 tickets.

The film also received a moderate amount of critical praise, particularly for the performance of Roberts, for which she received a Golden Globe Award, and a nomination for the Academy Award for Best Actress. In addition, the screenwriter J.F. Lawton was nominated for a Writers Guild Award and a BAFTA Award. This movie was followed by a string of similar romantic comedies, including Runaway Bride (1999), which re-united Gere and Roberts under the direction of Garry Marshall once again.

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Famous quotes containing the words Pretty Woman:

    We praise Him, we bless Him, we adore Him, we glorify Him, and we wonder who is that baritone across the aisle and that pretty woman on our right who smells of apple blossoms. Our bowels stir and our cod itches and we amend our prayers for the spiritual life with the hope that it will not be too spiritual.
    John Cheever (1912–1982)