Presence in Popular Culture
- Sheridan's view of presence earned its first pop culture reference in 1984 with William Gibson’s pre-World Wide Web science fiction novel "Neuromancer", which tells the story of a cyberpunk cowboy of sorts who accesses a virtual world to hack into organizations.
- Joshua Meyrowitz's 1986 "No Sense of Place" discusses the impact of electronic media on social behavior. The novel discusses how social situations are transformed by media. Media, he claims, can change one's 'sense of place,'by mixing traditionally private versus public behaviors - or back-stage and front-stage behaviors, respectively, as coined by Erving Goffman. Meyrowitz suggests that television alone will transform the practice of front-stage and back-stage behaviors, as television would provide increased information to different groups who may physically not have access to specific communities but through media consumption are able to determine a mental place within the program. He references Marshall McLuhan's concept that 'the medium is the message,' and that media provide individuals with access to information. With new and changing media, Meyrowitz says that the patterns of information and shifting accesses to information change social settings, and help do determine a sense of place and behavior. With the logic that behavior is connected to information flow, Meyrowitz states that front- and back-stage behaviors are blurred and may be impossible to untangle.
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Famous quotes containing the words presence, popular and/or culture:
“I dont think there is anything on earth more wonderful than those wistful incomplete friendships one makes now and then in an hour’s talk. You never see the people again, but the lingering sense of their presence in the world is like the glow of an unseen city at night—makes you feel the teemingness of it all.”
—John Dos Passos (1896–1970)
“The very nursery tales of this generation were the nursery tales of primeval races. They migrate from east to west, and again from west to east; now expanded into the “tale divine” of bards, now shrunk into a popular rhyme.”
—Henry David Thoreau (1817–1862)
“With respect to a true culture and manhood, we are essentially provincial still, not metropolitan,—mere Jonathans. We are provincial, because we do not find at home our standards; because we do not worship truth, but the reflection of truth; because we are warped and narrowed by an exclusive devotion to trade and commerce and manufacturers and agriculture and the like, which are but means, and not the end.”
—Henry David Thoreau (1817–1862)