"Prelude/Angry Young Man" is a song written by Billy Joel which appeared as the sixth song on the album Turnstiles in 1976. Live versions have been released as the second track of KOHЦEPT, the 11th track of the first disc of 2000 Years: The Millennium Concert, and the opening track on the first disc of 12 Gardens Live and Live at Shea Stadium: The Concert. It is also included in the Broadway show Movin' Out.
The instrumental "Prelude" lasts roughly a minute and 45 seconds, starting with a rapid-fire hammered piano riff on the middle-C piano key, joined by various instruments, swinging through styles such an Aaron Copland-styled ballad to funk to a Southwestern beat. To this day, Joel plays the fast-paced prelude himself, but early on he moved the song to the very beginning of the setlist, largely because the prelude section was easiest to manage during the adrenaline moments of starting a show, as opposed to being attempted after he'd already expended much of his energy for other songs.
It is then followed by "Angry Young Man", which paints a slightly sardonic picture of youthful, militant rebellion that is unflagging, trying to fight life's ills despite constant failure ("He refuses to bend, he refuses to crawl / And he's always at home with his back to the wall / And he's proud of his scars and the battles he's lost / And he struggles and bleeds as he hangs on his cross / And he likes to be known as the angry young man") The song contrasts the angry youth with the protagonist's mature, world-weary outlook, which could possibly be seen as either be the same angry young man when he is older or somebody who was once felt as the angry young man currently does ("I believe I've passed the age of consciousness and righteous rage / I found that just surviving was a noble fight / I once believed in causes too / I had my pointless point of view / And life went on no matter who was wrong or right".)
Despite never having been released as a single, "Prelude/Angry Young Man" has become a popular song among fans as well as a staple of live shows. "Prelude" was used as an opening theme for the German TV talk show Live (1988-1996); and also used as theme song for Grampian Television's summertime news magazine programme "Summer at Six" in the early 80's.
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Famous quotes containing the words young man, prelude, angry, young and/or man:
“The Young Man’s Best Companion, The Farrier’s Sure Guide, The Veterinary Surgeon, Paradise Lost, The Pilgrim’s Progress, Robinson Crusoe, Ash’s Dictionary, and Walkingame’s Arithmetic, constituted his library; and though a limited series, it was one from which he had acquired more sound information by diligent perusal than many a man of opportunities had done from a furlong of laden shelves.”
—Thomas Hardy (1840–1928)
“The less sophisticated of my forbears avoided foreigners at all costs, for the very good reason that, in their circles, speaking in tongues was commonly a prelude to snake handling. The more tolerant among us regarded foreign languages as a kind of speech impediment that could be overcome by willpower.”
—Barbara Ehrenreich (b. 1941)
“People who have realized that this is a dream imagine that it is easy to wake up, and are angry with those who continue sleeping, not considering that the whole world that environs them does not permit them to wake. Life proceeds as a series of optical illusions, artificial needs and imaginary sensations.”
—Alexander Herzen (1812–1870)
“... when we shall have our amendment to the Constitution of the United States, everyone will think it was always so, just exactly as many young people believe that all the privileges, all the freedom, all the enjoyments which woman now possesses were always hers. They have no idea of how every single inch of ground that she stands upon to-day has been gained by the hard work of some little handful of women of the past.”
—Susan B. Anthony (1820–1906)
“With my desire to write he seemed in full sympathy, and in urging our early marriage he argued that my first necessity was leisure in which to develop and to master my craft. It appeared to me that with such a man as teacher and guide I could not fail, and it was in a queer mixture of young love and vaulting ambition that I became a wife.”
—Rheta Childe Dorr (1866–1948)