Praise the Names of the Musical Assassins is a compilation album of "rare and unreleased material" by Austrian death metal band Pungent Stench. It was originally released in 1997 through Nuclear Blast, two years after the band had split-up. The album, "which collected all the rare and unreleased Pungent Stench material available," contains tracks from the band's early demo tapes, Mucous Secretion, and Extreme Deformity, which was released as the group's first EP in 1989. These "infamous" demos, along with a split-LP with Disharmonic Orchestra, caused a considerable amount of interest in the group, eventually leading them to sign a record deal with German label Nuclear Blast.
The compilation comes in special packaging, which consists of a black box with the CD and a 24-page booklet containing all of Pungent Stench's releases, live shows and photos of the band that were taken from around the world. By this package, Jason Birchmeier of Allmusic praised the release stating, "Well packaged, Praise the Names of the Musical Assassins effectively sums up the group's early days when they were strictly a 'brutal splatter metal' group, before they would eventually slow down their music and write songs about sex rather than gore." Birchmeier also defined Praise the Names of the Musical Assassins as a "suitable retrospective for one of the most notorious death metal bands of the 1990s."
Adam Wasylyk of Chronicles of Chaos webzine, gave the album a rating of 9 out of 10, stating that "Praise the Names of the Musical Assassins is composed of hard-to-find, rare and compilation tracks to serve almost as a 'best of,' a quality remembrance to one of Nuclear Blast's better bands."
Read more about Praise The Names Of The Musical Assassins: Track Listing
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—Isaac Watts (1674–1748)
“It is a sad truth, but we have lost the faculty of giving lovely names to things. Names are everything. I never quarrel with actions. My one quarrel is with words.... The man who could call a spade a spade should be compelled to use one. It is the only thing he is fit for.”
—Oscar Wilde (1854–1900)
“That vast moth-eaten musical brocade
Created to pretend we never die ...”
—Philip Larkin (1922–1986)
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—Benjamin Disraeli (1804–1881)