Praise the Names of the Musical Assassins is a compilation album of "rare and unreleased material" by Austrian death metal band Pungent Stench. It was originally released in 1997 through Nuclear Blast, two years after the band had split-up. The album, "which collected all the rare and unreleased Pungent Stench material available," contains tracks from the band's early demo tapes, Mucous Secretion, and Extreme Deformity, which was released as the group's first EP in 1989. These "infamous" demos, along with a split-LP with Disharmonic Orchestra, caused a considerable amount of interest in the group, eventually leading them to sign a record deal with German label Nuclear Blast.
The compilation comes in special packaging, which consists of a black box with the CD and a 24-page booklet containing all of Pungent Stench's releases, live shows and photos of the band that were taken from around the world. By this package, Jason Birchmeier of Allmusic praised the release stating, "Well packaged, Praise the Names of the Musical Assassins effectively sums up the group's early days when they were strictly a 'brutal splatter metal' group, before they would eventually slow down their music and write songs about sex rather than gore." Birchmeier also defined Praise the Names of the Musical Assassins as a "suitable retrospective for one of the most notorious death metal bands of the 1990s."
Adam Wasylyk of Chronicles of Chaos webzine, gave the album a rating of 9 out of 10, stating that "Praise the Names of the Musical Assassins is composed of hard-to-find, rare and compilation tracks to serve almost as a 'best of,' a quality remembrance to one of Nuclear Blast's better bands."
Read more about Praise The Names Of The Musical Assassins: Track Listing
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“Were not ten made clean? But the other nine, where are they? Was none of them found to return and give praise to God except this foreigner?”
—Bible: New Testament, Luke 17:17,18.
Jesus, after healing ten lepers.
“The pangs of conscience, where are the pangs of conscience? Orestes and Clytemnestra, Reinhold doesn’t even know the names of those fine folk. He simply hopes, heartily and sincerely, that Franz is dead as a doornail and won’t be found.”
—Alfred Döblin (1878–1957)
“Creative force, like a musical composer, goes on unweariedly repeating a simple air or theme, now high, now low, in solo, in chorus, ten thousand times reverberated, till it fills earth and heaven with the chant.”
—Ralph Waldo Emerson (1803–1882)
“No Government can be long secure without a formidable Opposition. It reduces their supporters to that tractable number which can be managed by the joint influences of fruition and hope. It offers vengeance to the discontented, and distinction to the ambitious; and employs the energies of aspiring spirits, who otherwise may prove traitors in a division or assassins in a debate.”
—Benjamin Disraeli (1804–1881)