Prague Quadrennial - The 12th Edition of The Prague Quadrennial From June 16-26, 2011

The 12th Edition of The Prague Quadrennial From June 16-26, 2011

International Competitive exhibition:

  • Section of Countries and Region
  • Architecture Section – Now/Next Performance Space at the Crossroads
  • Student Section
  • Extreme Costume exhibition

Projects:

  • Intersection, Intimacy and Spectacle, an undisciplined project
  • Scenofest. an educational project of the OISTAT and the Prague Quadrennial.
  • Light and Sound project
  • PQ+, accompanying program

Participating countries in the International Competitive Exhibition include Argentina, Armenia, Australia, Austria, Belarus, Belgium, Brazil, Bulgaria, Canada, Chile, China, Colombia, Croatia, Cuba, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Georgia, Germany, Greece, Hong Kong, Hungary, Iceland, India, Israel, Italy, Japan, Kazakhstan, Republic of Korea, Latvia, Lebanon, Lithuania, Macedonia, Mongolia, Mexico, Netherlands, New Zealand, Nigeria, Norway, Peru, Philippines, Poland, Portugal, Republic of South Africa, Romania, Russia, Serbia, Singapore, Slovakia, Slovenia, Spain, Sweden, Switzerland, Taiwan, Turkey, United Kingdom, Uruguay, USA, and Venezuela.

In 2011 the Hungarian section of PQ will be represented by Bodza W Mihaly's oeuvre. The section is presented by György Árvai, Anikó B. Nagy, Judit Csanádi, Péter Horgas, Gábor Medvigy.

Work is judged in a variety of categories, including "Architecture," "Costumes," and a "Student" section. But the center is the "Countries and Regions" category, where visitors can immerse themselves in theatrical installations from a record-breaking 62 countries, designed by organizations and individual artists including Ruhr Triennale, SITI Theater Company, Joao Brites, and Yukio Horio.

Read more about this topic:  Prague Quadrennial

Famous quotes containing the words edition and/or june:

    I knew a gentleman who was so good a manager of his time that he would not even lose that small portion of it which the calls of nature obliged him to pass in the necessary-house, but gradually went through all the Latin poets in those moments. He bought, for example, a common edition of Horace, of which he tore off gradually a couple of pages, read them first, and then sent them down as a sacrifice to Cloacina: this was so much time fairly gained.
    Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)

    It’s June in January because I’m in love.
    Leo Robin (1900–1984)