Design
Both the PowerBook 140 and 170 were designed before the 100 by the Apple Industrial Design Group, from March 1990-February 1991. The 100's styling was based on those computers and represents the first improvements to the PowerBook line as Apple benefited from the lessons learned in developing the more powerful models' enclosure. The 100 was designed between September and December 1990, and retained the same design elements, which were a variation on the Snow White design language Apple had been using since 1984. Specifically, 2 mm (0.079 in) raised ridges spaced 10 mm (0.39 in) apart intended to tie it into the existing product line.
Apple approached Sony in late 1989 because it did not have enough engineers to handle the number of new products that were planned for delivery in 1991. Using a basic blueprint from Apple, including a list of chips and other components, and the Portable's architecture, the 100 was miniaturized and manufactured by Sony in San Diego, California, and Japan. Sony engineers had little experience building personal computers but nonetheless completed Apple's smallest and lightest machine in under 13 months, cancelling other projects and giving the PowerBook 100 top priority. Sony president Norio Ohga gave project manager Kihey Yamamoto permission to recruit engineers from any Sony division.
Robert Brunner, Apple's head of industrial design at the time, led the design team that developed the laptop, including its trackball and granite color. Brunner said he designed the PowerBook "so it would be as easy to use and carry as a regular book". The dark granite grey color set it apart from other notebook computers of the time and also from Apple's other products, which traditionally were beige or platinum grey. The trackball, another new design element, was placed in the middle of the computer, allowing the PowerBook to be easily operated by both left- and right-handed users. The designers were trying to create a fashion statement with the overall design of the laptop, which they felt made it a more personal accessory, like a wallet or briefcase. Brunner said: "It says something about the identity of the person who is carrying it".
Read more about this topic: Power Book 100
Famous quotes containing the word design:
“What but design of darkness to appall?—
If design govern in a thing so small.”
—Robert Frost (1874–1963)
“For I choose that my remembrances of him should be pleasing, affecting, religious. I will love him as a glorified friend, after the free way of friendship, and not pay him a stiff sign of respect, as men do to those whom they fear. A passage read from his discourses, a moving provocation to works like his, any act or meeting which tends to awaken a pure thought, a flow of love, an original design of virtue, I call a worthy, a true commemoration.”
—Ralph Waldo Emerson (1803–1882)
“With wonderful art he grinds into paint for his picture all his moods and experiences, so that all his forces may be brought to the encounter. Apparently writing without a particular design or responsibility, setting down his soliloquies from time to time, taking advantage of all his humors, when at length the hour comes to declare himself, he puts down in plain English, without quotation marks, what he, Thomas Carlyle, is ready to defend in the face of the world.”
—Henry David Thoreau (1817–1862)