"Potato Head Blues" is a Louis Armstrong composition regarded as one of his finest recordings. It was made by Louis Armstrong and his Hot Seven for Okeh Records in Chicago, Illinois on May 10, 1927. It was recorded during a remarkably productive week in which Armstrong's usual Hot Five was temporarily expanded to seven players by the addition of tuba and drums; over five sessions the group recorded twelve sides.
Not strictly speaking a "blues," the chord structure is a 32-bar form in the same neighborhood as "(Back Home Again in) Indiana." The recording features notable clarinet work by Johnny Dodds, and the stop-time solo chorus in the last half of the recording is one of Armstrong's most famous solos. The last, hot "ride out" chorus is an example of this New Orleans jazz custom brought to the level of genius through Armstrong's inspired melodic playing.
Critic Thomas Ward called this recording "one of the most astonishing accomplishments in all of twentieth century music."
Tallulah Bankhead said that she played it in her dressing room every day during intermission while she appeared on Broadway for the invigorating effect it gave her.
In Woody Allen's 1979 film, Manhattan, the character Isaac Davis (played by Allen) lists Armstrong's recording of "Potato Head Blues" as one of the reasons that life is worth living.
Famous quotes containing the words potato, head and/or blues:
“The cold smell of potato mould, the squelch and slap
Of soggy peat, the curt cuts of an edge
Through living roots awaken in my head.
But I’ve no spade to follow men like them.”
—Seamus Heaney (b. 1939)
““Danger! What danger do you foresee?”
Holmes shook his head gravely. “It would cease to be a danger if we could define it,” said he.”
—Sir Arthur Conan Doyle (1859–1930)
“The blues women had a commanding presence and a refreshing robustness. They were nurturers, taking the yeast of experience, kneading it into dough, molding it and letting it grow in their minds to bring the listener bread for sustenance, shaped by their sensibilities.”
—Rosetta Reitz, U.S. author. As quoted in The Political Palate, ch. 10, by Betsey Beaven et al. (1980)