Posthumous Fame of Vincent Van Gogh - Lifetime Exhibits

Lifetime Exhibits

During his lifetime, Van Gogh contributed works of his own only on a few and minor occasions which mainly passed unnoted by critics and public. For example, in 1887, a display of Japanese woodcuts in the Restaurant Au Tambourin, 62 Boulevard de Clichy, then run by Augustina Ségatori, for which Van Gogh probably interpreted three famous ukiyo-e prints by Keisai Eisen and Hiroshige.

Towards the end of this year, he organized another exhibition in the Grand-Bouillon Restaurant du Chalet, 43 Avenue de Clichy, on Montmartre to which his friends Emile Bernard, Louis Anquetin and evidently Henri de Toulouse-Lautrec contributed. Van Gogh considered the first one a disaster, while he was prepared to take the second one as a success: Bernard and Anquetin sold paintings, and he himself had exchanged works with Paul Gauguin. There are two short accounts of this exhibition, one based on information supplied by Seurat, and the other one written by Emile Bernard:

- In 1890, Seurat recalled to have met Vincent there for the first time, "in one of these populaire soup kitchens in Avenue de Clichy, now closed. The hall was decorated with his canvases (1887)."
- Already in 1889, at the time of the Volpini Exhibition, Emile Bernard had prepared a review of Van Gogh's work for Aurier's Moderniste, which was, as this modest paper ceased to appear suddenly, published for the first time a century later, in 1990.

In 1888, Van Gogh joined the "Société des Artistes Indépendants"; so this year three of his paintings were on show in their annual exhibition in Paris, and two in the year following (due to restrictions caused in 1889 by the Exposition Universelle). In 1890 and 1891, their annual exhibitions comprised ten paintings by Vincent; part of them had been shown before by the society "Les XX" in Brussels, in 1891 completed by a dozen of drawings (some of them only on view "by demand"). According to letters from his brother Theo, Vincent's contributions to these few exhibitions established his renown amongst French vanguard painters like Claude Monet and Paul Signac.

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