Possible-world Theory in Literary Studies
Possible worlds theory in literary studies uses concepts from possible-world logic and applies them to worlds that are created by fictional texts, fictional universe. In particular, possible-world theory provides a useful vocabulary and conceptual framework with which to describe such worlds. However, a literary world is a specific type of possible world, quite distinct from the possible worlds in logic. This is because a literary text houses its own system of modality, consisting of actual worlds (actual events) and possible worlds (possible events). Thus, a literary universe is granted autonomy in much the same way as the actual universe.
Literary critics, such as Marie-Laure Ryan, Lubomír Doležel, and Thomas Pavel, have used possible-worlds theory to address notions of literary truth, the nature of fictionality, and the relationship between fictional worlds and reality. Taxonomies of fictional possibilities have also been proposed where the likelihood of a fictional world is assessed. Possible-world theory is also used within narratology to divide a specific text into its constituent worlds, possible and actual. In this approach, the modal structure of the fictional text is analysed in relation to its narrative and thematic concerns.
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