Modern Works
By the end of the 19th century portraits and statues of Shakespeare were appearing in numerous contexts, and his stereotyped features were being used in advertisements, cartoons, shops, pub signs and buildings. Such images proliferated in the 20th century. In Britain Shakespeare's Head and The Shakespeare Arms became popular names for pubs. Between 1970 and 1993, an image of the Westminster abbey statue of Shakespeare appeared on the reverse of British £20 notes.
The ubiquity of these stereotyped features have led to adaptations of Shakespeare portraits by several modern artists. In 1964, for the 400th anniversary of Shakespeare's birth, Pablo Picasso created numerous variations on the theme of Shakespeare's face reduced to minimal form in a few simple lines. Louis Aragon wrote an essay to accompany the drawings. Andy Warhol also created a Shakespeare portrait (1962), repeating the Droeshout image in several colours in silkscreen and acrylic.
More recently graphic designers have played with the conventional motifs in Shakespeare's features. These include Rafał Olbiński's Shakespeare in Central Park, Festival poster (1994), an exhibition poster used by the Victoria and Albert Museum and Mirko Ilić's Shakespeare illustration in the New York Times (1996). Milton Glaser also created 25 Shakespeare Faces, a theater poster in 2003.
In 2000 István Orosz created a double Anamorphic portrait for the Swan Theatre.
Read more about this topic: Portraits Of Shakespeare
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