Composition
Art historians note new features in the composition: "earlier Florentine portraits were in profile. The woman's three-quarter pose, with her hand on the window frame, was Botticelli's own invention". The portrait is thought to be the first example of a three-quarters pose in Florentine portrait painting. "By abandoning the profile pose traditionally used in depictions of Renaissance women, Botticelli brought a new sense of movement into the portrait." The innovation was adopted by later artists.
The painting helped art historians to identify the sheer overdress worn by the Mona Lisa, a "similar" guarnello. The sitter also wears a cotta, a light summer gown. The location is unknown: maybe it is a loggia, or open-air colonnade.
Read more about this topic: Portrait Of A Lady Known As Esmeralda Brandini
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