Portland Monthly - Reception

Reception

Writing for The Columbian, Angela Allen commented that the first issue of the magazine "shows attitude and literary writing, tosses off lots of names, does a terrific fall culture calendar and digs into a couple of issues, including the Trail Blazers", but was also critical, noting: "Its design is crowded and the type is too small to read for most of us without wearing a pair of 'reader' specs." Tom Boyer of The Seattle Times described the magazine as "a smart mix of reader-friendly features and award-winning journalism". Writing in The Oregonian, Steve Duin commented that he appreciated the lists published in the magazine: "Because I'm addicted to lists -- and the bigger the better -- the best part of my month is the morning that copy of Portland Monthly lands like a wounded halibut on my desk."

The magazine won three awards in the City and Regional Magazine Association's 20th Annual National City and Regional Magazine Awards in 2005, receiving recognition in Civic Journalism, Excellence in Writing and General Excellence. The magazine was one of three companies nominated by the Oregon Entrepreneurs Forum as a finalist for Working Capital Stage Company of the Year. In 2006 Portland Monthly was a finalist for "Best Overall Design" of a consumer magazine, in the Folio: Gold Ozzie Awards. In her 2007 book Insiders' Guide to Portland, Oregon, author Rachel Dresbeck wrote that the magazine "maintains an excellent calendar" of events going on in the city. In July 2007 Nicole Vogel was a finalist among nominees for an individual entrepreneurship award from the Oregon Entrepreneurs Network.

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Famous quotes containing the word reception:

    But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.
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    I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.”
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    Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.
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