Pornographic Film - Pornographic Actors

Pornographic Actors

Pornographic films attempt to present a sexual fantasy and the actors selected for a particular role are primarily selected on their ability to create that fantasy. Depending on the genre of the film, the on-screen appearance and physical features of the main actors and their ability to create the sexual mood of the film is of critical importance. Most actors specialise in certain genres. Irrespective of the genre, most actors are required to appear nude in pornographic films.

In heterosexual sex films, the primary focus is on the women in them, who are mostly selected for their willingness and experience in performing the required sex acts and on their on-screen appearance. Most male performers in heterosexual pornography are generally selected less for their looks than for their sexual prowess, namely their ability to do three things: achieve an erection while on a busy film set, maintain that erection while performing on camera, and then ejaculate on cue.

Traditionally, pornographic film actors mainined a low profile, using pseudonyms to maintain a level of anonymity. Arguably the first pornstar to become a household name was Linda Lovelace (a pseudonym) from the United States, who starred in the 1972 feature Deep Throat. Casey Donovan, star of the first mainstream pornographic hit Boys in the Sand in 1971, achieved name recognition nearly a year before Deep Throat debuted. The success of Deep Throat, which grossed millions of dollars worldwide, spawned a slew of other films and pornographic film stars such as Marilyn Chambers (Behind the Green Door), Gloria Leonard (The Opening of Misty Beethoven), Georgina Spelvin (The Devil in Miss Jones), and Bambi Woods (Debbie Does Dallas). Other well-known performers from the 1970s and early 1980s included Seka, John Holmes, Ginger Lynn Allen, Veronica Hart, Nina Hartley and Amber Lynn.

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    It was modesty that invented the word “philosopher” in Greece and left the magnificent overweening presumption in calling oneself wise to the actors of the spirit—the modesty of such monsters of pride and sovereignty as Pythagoras, as Plato.
    Friedrich Nietzsche (1844–1900)