Popular Music Of Manchester
Manchester had an impressive music scene before 1976, with groups like The Hollies, The Bee Gees, Herman's Hermits, Wayne Fontana and The Mindbenders, Freddie and the Dreamers in the 1960s and Barclay James Harvest and 10cc in the early 1970s. Top of the Pops was also recorded by the BBC at this time in the city. In 1965, Herman's Hermits outsold the Beatles, selling over 10 million records in seven months. Manchester bands Freddie and the Dreamers, Wayne Fontana and the Mindbenders and Herman's Hermits topped the American Billboard charts consecutively during mid-April – May 1965. In 1965, all three bands were numbers 1, 2 and 3 on the US Billboard top 100 for one week. Graham Nash of The Hollies moved to California to become part of the rapidly expanding music scene there. With the exception of Graham Gouldman of 10cc and Eric Stewart of The Mindbenders (who built Strawberry Studios in Stockport, the UK's first world class recording studio outside London) there was little reinvestment in Manchester from its local musicians who had been successful.
Read more about Popular Music Of Manchester: The Sex Pistols At The Free Trade Hall and Punk Rock, Factory Records and The Post-punk Period, Madchester, The 1990s and After, The Venues of The Early 21st Century, Resources On The Web, List of Music Artists and Bands Originating From Manchester, Broadcast Media, Pop Songs About Manchester
Famous quotes containing the words popular, music and/or manchester:
“Fifty million Frenchmen can’t be wrong.”
—Anonymous. Popular saying.
Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.
“I fear I agree with your friend in not liking all sermons. Some of them, one has to confess, are rubbish: but then I release my attention from the preacher, and go ahead in any line of thought he may have started: and his after-eloquence acts as a kind of accompaniment—like music while one is reading poetry, which often, to me, adds to the effect.”
—Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)
“The [nineteenth-century] young men who were Puritans in politics were anti-Puritans in literature. They were willing to die for the independence of Poland or the Manchester Fenians; and they relaxed their tension by voluptuous reading in Swinburne.”
—Rebecca West (1892–1983)