Pop Standards - Late 1950s To 1960s: Decline of Traditional Pop

Late 1950s To 1960s: Decline of Traditional Pop

In the late 1950s and 1960s, rock became a very prominent musical style. However, pop singers whom had been popular during the swing era or traditional pop music period were still big stars (i.e. Frank Sinatra, Doris Day, Ella Fitzgerald, and Dinah Shore).

Some of these vocalists faded with traditional pop music, while many vocalists became involved in 1960s' vocal jazz and the rebirth of "swing music"; the swing music of the 1960s is sometimes referred to as easy listening and was, in essence, a rebirth of the swing music that had been popular during the swing era, however with more emphasis on the vocalist. Like the Swing Era, it too featured many songs of the Great American Songbook. Much of this music was made popular by Nelson Riddle, and television friendly singers like Rosemary Clooney, Dean Martin, and the cast of Your Hit Parade. Many artists made their mark with pop standards, particularly vocal jazz and pop singers like Ella Fitzgerald, Billie Holiday, Frank Sinatra, Doris Day, Frankie Laine, Nat King Cole (originally known for his jazz piano virtuosity), Lena Horne, Tony Bennett, Vic Damone, Johnny Mathis, Bobby Darin, Barbra Streisand, Peggy Lee, Sammy Davis, Jr., Mel Tormé, Sarah Vaughan, Eydie Gormé, Andy Williams, Nancy Wilson, Jack Jones, Rita Reys, Steve Lawrence and Cleo Laine.

It is also worth noting that in addition to the vocal jazz and/or 1960s swing music, many of these singers were involved in "less swinging," more traditional, vocal pop music during this period as well, namely Sinatra and Cole.

Read more about this topic:  Pop Standards

Famous quotes containing the words late, decline, traditional and/or pop:

    I ... would rather be in dependance on Great Britain, properly limited, than on any nation upon earth, or than on no nation. But I am one of those too who rather than submit to the right of legislating for us assumed by the British parliament, and which late experience has shewn they will so cruelly exercise, would lend my hand to sink the whole island in the ocean.
    Thomas Jefferson (1743–1826)

    The chief misery of the decline of the faculties, and a main cause of the irritability that often goes with it, is evidently the isolation, the lack of customary appreciation and influence, which only the rarest tact and thoughtfulness on the part of others can alleviate.
    Charles Horton Cooley (1864–1929)

    We should have an army so organized and so officered as to be capable in time of emergency, in cooperation with the National Militia, and under the provision of a proper national volunteer law, rapidly to expand into a force sufficient to resist all probable invasion from abroad and to furnish a respectable expeditionary force if necessary in the maintenance of our traditional American policy which bears the name of President Monroe.
    William Howard Taft (1857–1930)

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)