Pop Goes The Weasel (3rd Bass Song)
"Pop Goes the Weasel" is the best-selling single from hip hop trio 3rd Bass; it appears on their third album, Derelicts of Dialect (1991).
Released a year after the ill-fated Cactus Revisited E.P., "Pop Goes the Weasel" instantly became a hit and soon went gold. The song helped the album reach gold status a month later. The song's message was similar to "Gas Face", voicing criticism towards the many mainstream commercial rap artists that had been gaining attention in the early 1990s (such as Vanilla Ice and MC Hammer).
The song features funk samples from the J.B.'s and Stevie Wonder as well as rock samples of The Who's "Eminence Front", and the foundation sample was from Peter Gabriel's #1 hit, "Sledgehammer". Production came from John Gamble, Geeby Dajani, and Dante Ross (noted for their groundbreaking work on Brand Nubian and Grand Puba's debut albums).
The music video featured Henry Rollins as Vanilla Ice.
The song was listed as #70 on VH1's 100 Greatest Songs of Hip Hop.
Vanilla Ice answered back with a song called "The Wrath" in 1992.
The song was referenced in the movie The Nutty Professor while Sherman Klump's family sat around eating dinner.
Read more about Pop Goes The Weasel (3rd Bass Song): Charts
Famous quotes containing the words pop, weasel and/or bass:
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“This whole day have I followed in the rocks,
And you have changed and flowed from shape to shape,
First as a raven on whose ancient wings
Scarcely a feather lingered, then you seemed
A weasel moving on from stone to stone....”
—William Butler Yeats (1865–1939)
“How are we to know that a Dracula is a key-pounding pianist who lifts his hands up to his face, or that a bass fiddle is the doghouse, or that shmaltz musicians are four-button suit guys and long underwear boys?”
—In New York City, U.S. public relief program (1935-1943)