Books
Pompeii served as the background for the historic novels The Last Days of Pompeii (1834) by Edward Bulwer-Lytton (since adapted for film and TV), Arria Marcella (1852) by Théophile Gautier, The Taras Report on Pompeii (1975) by Alan Lloyd as well as appearing in Shadows in Bronze (1990) and other novels in the Marcus Didius Falco series.
Book I of the Cambridge Latin Course teaches Latin while telling the story of a Pompeii resident, Lucius Caecilius Iucundus, from the reign of Nero to that of Vespasian. The book ends when Mount Vesuvius erupts, where Caecilius and his household are killed. The books have a cult following and students have been known to go to Pompeii just to track down Caecilius's house.
Louis Untermeyer wrote the short story, "The Dog of Pompeii", which centered on a blind orphan boy and his dog during the last days before Vesuvius erupted.
A number of titles in The Roman Mysteries series of children's historical novels by Caroline Lawrence are set in Pompeii.
The 2003 bestseller novel Pompeii by Robert Harris tells the story of a (fictional) aquarius of the real life Aqua Augusta named Marcus Attilius. The story itself also features a Pliny the Younger reference to the Estate of Julia Felix, as well as also including the Piscina Mirabalis in Misenum, Pliny the Elder, and his nephew Gaius Pliny.
Read more about this topic: Pompeii In Popular Culture
Famous quotes containing the word books:
“For books are more than books, they are the life
The very heart and core of ages past,
The reason why men lived and worked and died,
The essence and quintessence of their lives.”
—Amy Lowell (1874–1925)
“Whenever any skeptic or bigot claims to be heard on the question of intellect and morals, we ask if he is familiar with the books of Plato, where all his pert objections have once for all been disposed of. If not, he has no right to our time. Let him go and find himself answered there.”
—Ralph Waldo Emerson (1803–1882)
“If writers were too wise, perhaps no books would get written at all. It might be better to ask yourself “Why?” afterwards than before. Anyway, the force from somewhere in Space which commands you to write in the first place, gives you no choice. You take up the pen when you are told, and write what is commanded. There is no agony like bearing an untold story inside you.”
—Zora Neale Hurston (1891–1960)