Background and Composition
The song was originally introduced during The Beatles sessions; a demo from the Esher Sessions can be found on Anthology 3. Lennon would describe this song, along with "Mean Mr. Mustard", in The Beatles Anthology as "a bit of crap I wrote in India".
In 1980, John Lennon said about "Polythene Pam": "That was me, remembering a little event with a woman in Jersey, and a man who was England's answer to Allen Ginsberg...I met him when we were on tour and he took me back to his apartment and I had a girl and he had one he wanted me to meet. He said she dressed up in polythene, which she did. She didn't wear jack boots and kilts, I just sort of elaborated. Perverted sex in a polythene bag. Just looking for something to write about." The song is sung in a very strong Liverpudlian "Scouse" accent.
Polythene is a British variant of the word polyethylene, a plastic material. The name 'Polythene Pam' came from the nickname of an early Beatles' fan from the Cavern Club days, named Pat Hodgett (now Dawson), who would often eat polythene. She became known as 'Polythene Pat'. She said in an interview, "I used to eat polythene all the time. I'd tie it in knots and then eat it. Sometimes I even used to burn it and then eat it when it got cold."
Read more about this topic: Polythene Pam
Famous quotes containing the words background and, background and/or composition:
“I had many problems in my conduct of the office being contrasted with President Kennedys conduct in the office, with my manner of dealing with things and his manner, with my accent and his accent, with my background and his background. He was a great public hero, and anything I did that someone didnt approve of, they would always feel that President Kennedy wouldnt have done that.”
—Lyndon Baines Johnson (19081973)
“I had many problems in my conduct of the office being contrasted with President Kennedys conduct in the office, with my manner of dealing with things and his manner, with my accent and his accent, with my background and his background. He was a great public hero, and anything I did that someone didnt approve of, they would always feel that President Kennedy wouldnt have done that.”
—Lyndon Baines Johnson (19081973)
“Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.”
—James Boswell (17401795)