Politically Correct Bedtime Stories - Writing Style, Common Themes and Recurring Elements

Writing Style, Common Themes and Recurring Elements

The book features many recurring themes and elements throughout the story. One recurring element is the alternate spellings of "wommon" and "womyn" (instead of "woman" and "women"). Additionally, the inclusion of distinctly modern concepts (such as Goldilocks being a rogue biologist, or Red Riding Hood bringing her grandmother mineral water) is common throughout the book, in keeping with the concept of "updating" classic fairy tales for modern times. Another common element is that many of the previous heroes or villains have had a role reversal, with female villains usually becoming more enlightened or empowered and befriending the heroine. Female characters (with few exceptions) rescue themselves after being similarly empowered and enlightened.

The protagonist of each story purportedly conform to the above-mentioned ideologies to absurd, obsessive levels. The satirical style used throughout the book, from the introduction to every one of the stories and then some, is that of an overly cautious, excessively verbose author who so fears offending or maligning any one reader that he is continually sidetracked and preoccupied by using politically correct (or pseudo-politically correct) terminology and phrasing, to the point of ridiculousness and redundancy. However, the book is absent of polemics—its stories are styled only upon a deadpan context of removing of all traditional bias, stereotype and prejudice from well-known fiction, under the pretense of not warping young minds.

Read more about this topic:  Politically Correct Bedtime Stories

Famous quotes containing the words writing, common, themes, recurring and/or elements:

    ... no writing is a waste of time,—no creative work where the feelings, the imagination, the intelligence must work.
    Brenda Ueland (1891–1985)

    To complain of the age we live in, to murmur at the present possessors of power, to lament the past, to conceive extravagant hopes of the future, are the common dispositions of the greatest part of mankind.
    Edmund Burke (1729–1797)

    In economics, we borrowed from the Bourbons; in foreign policy, we drew on themes fashioned by the nomad warriors of the Eurasian steppes. In spiritual matters, we emulated the braying intolerance of our archenemies, the Shi’ite fundamentalists.
    Barbara Ehrenreich (b. 1941)

    America is the world’s living myth. There’s no sense of wrong when you kill an American or blame America for some local disaster. This is our function, to be character types, to embody recurring themes that people can use to comfort themselves, justify themselves and so on. We’re here to accommodate. Whatever people need, we provide. A myth is a useful thing.
    Don Delillo (b. 1926)

    The poem has a social effect of some kind whether or not the poet wills it to have. It has kinetic force, it sets in motion ... [ellipsis in source] elements in the reader that would otherwise be stagnant.
    Denise Levertov (b. 1923)