Production
The film contained many large-scale action scenes, including an opening sequence featuring a car chase through a shanty town, Chan stopping a double-decker bus with his service revolver and a climactic fight scene in a shopping mall. This final scene earned the film the nickname "Glass Story" by the crew, due to the huge number of panes of sugar glass that were broken. During a stunt in this last scene, in which Chan slides down a pole from several stories up, the lights covering the pole had heated it considerably, resulting in Chan suffering second-degree burns, particularly to his hands, as well as a back injury and dislocation of his pelvis upon landing.
Edward Tang, the screenwriter for this film and many others, said that he did not write this film the way normal Hollywood screenwriters work. Bey Logan pointed out that in America, the screenwriter has an idea and goes to discuss it with producers and directors prior to production. In this case, Jackie Chan gave Tang a list of things he wanted in the film - a shopping mall, comedy, the village, a bus, etc. - and Tang essentially wrote the rest of the story around these elements. In other words, a Hong Kong screenwriter takes the director's ideas and works them into the film.
In an interview with Chan, he discusses the stunt of sliding down the pole covered with lights. As with the clock tower stunt from Project A (1983), Chan described his fear at the thought of performing the stunt. However, during the filming of Police Story, there was the added pressure of strict time constraints, as the shopping mall had to be cleaned up and ready for business the following morning. One of Chan's stuntman gave him a hug and a Buddhist prayer paper, which he put in his trousers before finally performing the stunt.
Stuntman Blackie Ko doubled for Chan during a motorcycle stunt in which his character drives through glass towards a hitman. In the double decker bus scene, Jackie used a metal umbrella because a wooden one kept slipping when he tried to hang onto the bus.
Read more about this topic: Police Story (1985 film)
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—Albert Camus (1913–1960)
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—Adrienne Rich (b. 1929)
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)