Polish Theatre and Film Career
Pola Negri's best known personal relationships were those with Charlie Chaplin (left) and Rudolph Valentino (right).After Negri returned from her stay at the sanatorium, she successfully auditioned for the Warsaw Imperial Academy of Dramatic Arts. Alongside her formal schooling at the Academy, she also took private classes outside with renowned Polish stage actress and professor Honorata Leszczynska. She made her theatrical debut before her graduation at The Small Theatre in Warsaw on October 2, 1912. Her performance received much acclaim, and she continued to perform there while finishing her studies at the Academy. She graduated in 1914. Her graduating performance was as Hedwig in Ibsen’s The Wild Duck, which resulted in offers to join a number of the prominent theatres in Warsaw. By the end of World War I, Negri had established herself as a popular stage actress. She made an appearance in the Grand Theatre (in Sumurun), as well as in the Small Theatre (Aleksander Fredro's Śluby panieńskie) and at the Summer Theatre in the Saxon Garden, the latter being a popular summer variété theatre.
Negri debuted in film in 1914 in Slave to her Senses (Niewolnica zmysłów). She also appeared in a variety of films made by the Warsaw film industry, including Bestia (Beast, released in the US as The Polish Dancer), Room No. 13 (Pokój Nr. 13), His Last Gesture (Jego Ostatni Czyn), Students (Studenci), and The Wife (Żona). Negri gained much popularity during her short screen career in Warsaw, acting alongside many of the most renowned Polish film artists of the time, including Józef Węgrzyn, Władysław Grabowski, Józef Galewski, and Kazimierz Junosza-Stępowski.
Read more about this topic: Pola Negri
Famous quotes containing the words polish, theatre, film and/or career:
“It has always been my practice to cast a long paragraph in a single mould, to try it by my ear, to deposit it in my memory, but to suspend the action of the pen till I had given the last polish to my work.”
—Edward Gibbon (1737–1794)
“Mankind’s common instinct for reality ... has always held the world to be essentially a theatre for heroism. In heroism, we feel, life’s supreme mystery is hidden. We tolerate no one who has no capacity whatever for it in any direction. On the other hand, no matter what a man’s frailties otherwise may be, if he be willing to risk death, and still more if he suffer it heroically, in the service he has chosen, the fact consecrates him forever.”
—William James (1842–1910)
“All film directors, whether famous or obscure, regard themselves as misunderstood or underrated. Because of that, they all lie. They’re obliged to overstate their own importance.”
—François Truffaut (1932–1984)
“I restore myself when I’m alone. A career is born in public—talent in privacy.”
—Marilyn Monroe (1926–1962)