Style
Catullus wrote in many different meters including hendecasyllabic and elegiac couplets (common in love poetry). All of his poetry shows strong and occasionally wild emotions especially in regard to Lesbia. He also demonstrates a great sense of humour such as in Catullus 13 and 42.
Many of the literary techniques he used are still common today, including hyperbaton: plenus saculus est aranearum (Catullus 13), which translates as ‘ purse is all full – of cobwebs.’ He also uses anaphora e.g. Salve, nec minimo puella naso nec bello pede nec…(Catullus 43) as well as tricolon and alliteration. He is also very fond of diminutives such as in Catullus 50: Hestero, Licini, die otiose/multum lusimus in meis tabellis – Yesterday, Licinius, was a day of leisure/ playing many games in my little note books.
Read more about this topic: Poetry Of Catullus
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“To write well, to have style ... is to paint. The master faculty of style is therefore the visual memory. If a writer does not see what he describes—countrysides and figures, movements and gestures—how could he have a style, that is originality?”
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“One man’s style must not be the rule of another’s.”
—Jane Austen (1775–1817)
“Style is the dress of thoughts; and let them be ever so just, if your style is homely, coarse, and vulgar, they will appear to as much disadvantage, and be as ill received, as your person, though ever so well-proportioned, would if dressed in rags, dirt, and tatters.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)