Poem on the Evil Times of Edward II, also known as The Simonie and Symonie and Couetise, is a Middle English poem in three distinct versions probably composed and modified over a century by anonymous authors. The original poem, perhaps not exactly reproduced by any of the surviving texts, has been dated to 1321 by Thomas Wright (1839), to 1327 by J. Aberth (2000), and to 1322-30 by Dan Embree and Elizabeth Urquhart (1991).
Version A is in Edinburgh, National Library of Scotland, MS Advocates 19.2.1. It is 476 lines long, breaking off in mid-stanza. It can be s dated to the 1320s or 30s.
Version B is in Oxford, Bodleian Library, MS Bodley 48. It is 413 lines long, but 216 lines have been cut from the manuscript. It can be dated to the 1320s
Version C is in Cambridge, Peterhouse MS 104. It is 468 lines long, apparently complete. It might be dated to any point up to the date of the manuscript itself -- 1375-1425.
The three versions vary radically from one another -- much more extensively than is usual for a text that has been merely copied and much more chaotically than is plausible for a text revised by its author. Each version has unique inclusions and omissions; only 35 percent of the lines in A are shared by B and C.
It was a "social protest" poem that arose in the aftermath of the Great Famine of 1315-1317. It clearly targeted the negligences and vices of specific social groups, such as the clergy and nobility, within the context of the failures of the Great Famine and wars of the early 14th century. The tradition of social protest poems in England would later culminate with Piers Plowman – see Piers Plowman tradition for further discussion.
Famous quotes containing the words poem, evil, times and/or edward:
“Every poem of value must have a residue [of language].... It cannot be exhausted because our lives are not long enough to do so. Indeed, in the greatest poetry, the residue may seem to increase as our experience increases—that is, as we become more sensitive to the particular ignitions in its language. We return to a poem not because of its symbolic [or sociological] value, but because of the waste, or subversion, or difficulty, or consolation of its provision.”
—William Logan, U.S. educator. “Condition of the Individual Talent,” The Sewanee Review, p. 93, Winter 1994.
“An evil spirit, your beauty, haunts me still,
Wherewith, alas! I have been long possessed,”
—Michael Drayton (1563–1631)
“It ought to be illegal for an artist to marry.... If the artist must marry let him find someone more interested in art, or his art, or the artist part of him, than in him. After which let them take tea together three times a week.”
—Ezra Pound (1885–1972)
“The boatswain’s mate was very sedate,
Yet fond of amusement, too;
And he played hopscotch with the starboard watch,
While the captain tickled the crew.”
—Charles Edward Carryl (1841–1920)