Poem On The Evil Times of Edward II

Poem on the Evil Times of Edward II, also known as The Simonie and Symonie and Couetise, is a Middle English poem in three distinct versions probably composed and modified over a century by anonymous authors. The original poem, perhaps not exactly reproduced by any of the surviving texts, has been dated to 1321 by Thomas Wright (1839), to 1327 by J. Aberth (2000), and to 1322-30 by Dan Embree and Elizabeth Urquhart (1991).

Version A is in Edinburgh, National Library of Scotland, MS Advocates 19.2.1. It is 476 lines long, breaking off in mid-stanza. It can be s dated to the 1320s or 30s.

Version B is in Oxford, Bodleian Library, MS Bodley 48. It is 413 lines long, but 216 lines have been cut from the manuscript. It can be dated to the 1320s

Version C is in Cambridge, Peterhouse MS 104. It is 468 lines long, apparently complete. It might be dated to any point up to the date of the manuscript itself -- 1375-1425.

The three versions vary radically from one another -- much more extensively than is usual for a text that has been merely copied and much more chaotically than is plausible for a text revised by its author. Each version has unique inclusions and omissions; only 35 percent of the lines in A are shared by B and C.

It was a "social protest" poem that arose in the aftermath of the Great Famine of 1315-1317. It clearly targeted the negligences and vices of specific social groups, such as the clergy and nobility, within the context of the failures of the Great Famine and wars of the early 14th century. The tradition of social protest poems in England would later culminate with Piers Plowman – see Piers Plowman tradition for further discussion.

Famous quotes containing the words poem, evil, times and/or edward:

    Let us dismiss, as irrelevant to the poem per se, the circumstance ... which, in the first place, gave rise to the intention of composing a poem that should suit at once the popular and the critical taste.
    Edgar Allan Poe (1809–1849)

    The genius of American culture and its integrity comes from fidelity to the light. Plain as day, we say. Happy as the day is long. Early to bed, early to rise. American virtues are daylight virtues: honesty, integrity, plain speech. We say yes when we mean yes and no when we mean no, and all else comes from the evil one. America presumes innocence and even the right to happiness.
    Richard Rodriguez (b. 1944)

    How strange a vehicle it is, coming down unchanged from times of old romance, and so characteristically black, the way no other thing is black except a coffin—a vehicle evoking lawless adventures in the plashing stillness of night, and still more strongly evoking death itself, the bier, the dark obsequies, the last silent journey!
    Thomas Mann (1875–1955)

    “Why does your brand so drop with blood,
    Edward, Edward?
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