Podge and Rodge - Origins

Origins

Podge originally appeared on The Den, as a decidedly evil little character. At first, he was introduced as nothing more than a puppet that Zag (of Zig and Zag) had found in a box amongst the rubbish behind a magic shop. Zag used him to practise ventriloquism, eventually performing a few dire shorts that showcased Zag's lack of skill. Zig was particularly jealous of the attention Podge was receiving.

Things took a sinister turn, however, when one day, during one of these shorts, a mysterious voice said to Zag, "aren't you a smelly stupid ugly alien". With the pieces in place for the revelation, Podge made himself fully known to the audience - alone with Zig at the conclusion of the broadcasting day, he moved and spoke on his own, bullying Zig, telling him he would be his friend if he stole the bike presently being offered as a competition prize. Zag and presenter Ray D'Arcy remaining oblivious to this as Podge would occasionally move in the background or be seen scheming on his own, and letters and pictures would pour in from the viewing children trying to let them know that Podge was evil. Eventually, after Zig finally spilled the beans, Podge made a power play and took over the programme for a day, revealing that he had been brought to life by a magician, but then sealed away when he turned evil. Podge also possessed some magical powers of his own that he'd learned from the magician, and turned one of the crew members into a teapot. He was finally dealt with when the magician arrived at the end of the programming day, hypnotised Podge, (but called him Albert) and took him away.

Read more about this topic:  Podge And Rodge

Famous quotes containing the word origins:

    The origins of clothing are not practical. They are mystical and erotic. The primitive man in the wolf-pelt was not keeping dry; he was saying: “Look what I killed. Aren’t I the best?”
    Katharine Hamnett (b. 1948)

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)

    Grown onto every inch of plate, except
    Where the hinges let it move, were living things,
    Barnacles, mussels, water weeds—and one
    Blue bit of polished glass, glued there by time:
    The origins of art.
    Howard Moss (b. 1922)