Production
Chip Douglas, producer of the Monkees' music during 1967, also played bass guitar on some of their recordings. (This freed up Peter Tork to play keyboards.) He showed lead guitarist Michael Nesmith an interlocking bass and lead riff that they used throughout the song. Nesmith doubletracked the lead guitar riff, which was based on The Beatles' "I Want to Tell You", while Peter Tork and Davy Jones added piano and maraca parts. "Fast Eddie" Hoh, a session musician, played drums. Micky Dolenz sang lead vocals, and was the only member of The Monkees who did not play an instrument on the track.
For an ending, Douglas and engineer Hank Cicalo decided to "keep pushing everything up", adding more and more reverberation and echo until the sound of the music became unrecognizable, before fading out the recording. Separate mono and stereo versions were mixed for single and album records.
The single peaked at #3 on the Hot 100 and was featured in the second season of their television series. The song also appeared on the fourth Monkees album, Pisces, Aquarius, Capricorn & Jones Ltd., in November 1967. While the mono copies of the album had the same version as heard on the single, stereo copies had a version using a different take of the first verse and an additional backing vocal during the break.
In February 1986, MTV featured a marathon of episodes of the series titled Pleasant Valley Sunday, which sparked a second wave of Monkeemania. The reunited Dolenz, Tork, and Davy Jones, already on tour, went from playing small venues to playing arenas and stadiums in the following weeks.
Read more about this topic: Pleasant Valley Sunday
Famous quotes containing the word production:
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)
“... if the production of any commodity necessitates the sacrifice of human life, society should do without that commodity, but it can not do without that life.”
—Emma Goldman (1869–1940)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)