Play (activity) - Play and Adults

Play and Adults

Although adults who engage in excessive amounts of play may find themselves described as "childish" or "young at heart" by less playful adults, play is actually an important activity, regardless of age. Creativity and happiness can result from adult play, where the objective can be more than fun alone, as in adult expression of the arts, or curiosity-driven science. Some adult “hobbies” are examples of such creative play. In creative professions, such as design, playfulness can remove more serious attitudes (such as shame or embarrassment) that impede brainstorming or artistic experimentation in design.

Imaginative play and role play may allow adult individuals to practice useful habits such as learned optimism, which is helpful in managing fear or terrors. Play also offers adults the opportunity to practice concepts that may not have been explicitly or formally taught (e.g. how to manage misinformation or deceit). Thus, even though play is just one of many tools used by effective adults, it remains a necessary one.

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Famous quotes containing the words play and/or adults:

    To play is nothing but the imitative substitution of a pleasurable, superfluous and voluntary action for a serious, necessary, imperative and difficult one. At the cradle of play as well as of artistic activity there stood leisure, tedium entailed by increased spiritual mobility, a horror vacui, the need of letting forms no longer imprisoned move freely, of filling empty time with sequences of notes, empty space with sequences of form.
    Max J. Friedländer (1867–1958)

    We never really are the adults we pretend to be. We wear the mask and perhaps the clothes and posture of grown-ups, but inside our skin we are never as wise or as sure or as strong as we want to convince ourselves and others we are. We may fool all the rest of the people all of the time, but we never fool our parents. They can see behind the mask of adulthood. To her mommy and daddy, the empress never has on any clothes—and knows it.
    Frank Pittman (20th century)