Plate Armour

Plate armour is a historical type of personal armour made from iron or steel plates. While there are early predecessors such the Roman-era lorica segmentata, full plate armour developed in Europe during the Late Middle Ages, especially in the context of the Hundred Years' War, from the coat of plates worn over mail suits during the 13th century. In Europe plate armour reached its peak in the late 15th and 16th centuries, with the full suits of Gothic plate armour worn on the battlefields of the Burgundian and Italian Wars. The most heavily armoured troops of the period were heavy cavalry such as the gendarmes and early cuirassiers, but the infantry troops of the Swiss mercenaries and the landsknechts also took to wearing lighter suits of "three quarters" plate armour, leaving the lower legs unprotected. The use of plate armour declined in the 17th century, but remained common both among the nobility and for the cuirassiers throughout the European wars of religion. After 1650, plate armour was mostly reduced to the simple breastplate (cuirass) worn by dragoons. This was due to the development of the flintlock musket which could penetrate armour at a considerable distance, severely reducing the payoff from the investment in full plate armour. For infantry, the breastplate gained renewed importance with the development of shrapnel in the late 18th century. The use of steel plates sewn into flak jacket dates to World War II, replaced by more modern materials such as fibre-reinforced plastic since the 1950s. It is a common misconception that the plate armour of European soldiers adversely affected mobility in a significant manner, but in fact plate armour was less heavy and featured more even weight distribution than a modern firefighter's oxygen gear.

Read more about Plate Armour:  Early History, Late Middle Ages, Renaissance, Early Modern Period, Plate Armour in Japan, 20th Century and Modern Body Armour, Materials

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    I sometimes have the sense that I live my life as a writer with my nose pressed against the wide, shiny plate glass window of the “mainstream” culture. The world seems full of straight, large-circulation, slick periodicals which wouldn’t think of reviewing my book and bookstores which will never order it.
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    The man whose silent days
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