History
In 1965, Yugoslavian choreographer Nicolas Petrov joined the dance faculty at the Pittsburgh Playhouse. By 1968, Petrov began to mount several small ballets and his version of The Nutcracker for 85 dance students. The Playhouse's dance school continued under the college's auspices and was moved to Lawrence Hall downtown.
April 1970 marked the debut of Pittsburgh Ballet at the Pittsburgh Playhouse. From 1970-1971, PBT presented its first subscription season at the Syria Mosque. From 1971-1972, PBT became a constituent of the newly restored Heinz Hall. In 1973, donors purchased a downtown building for the company that would provide space for rehearsal studios and the PBT School, as well as costume and production shops. In 1974 Nicolas Petrov invited his friend, the renowned Frederic Franklin to join PBT as Co-Artistic Director. PBT continued to grow; by the 1977-1978 season ticket sales comprised 67% of PBT's $1.7 million budget. The company had continued use of the Point Park College studios for classes and overflow rehearsal space, but when an agreement was reached on the balance owed the college, PBT became completely independent from Point Park College.
Artistic Director Nicolas Petrov left to concentrate on his work at Point Park College. In March 1977, Petrov and Franklin were replaced as Co-Artistic Directors by former London Festival Ballet principal dancer John Gilpin who left shortly after taking over because of health problems. Following a six-month search, the Board of Trustees appointed French dancer and choreographer Patrick Frantz Artistic Director in 1978. Frantz emphasized contemporary works in the company's repertoire and spearheaded the development of the PBT School. 1980, PBT's 10th anniversary, saw two major developments that would profoundly affect the future of the Company: the dancers voted to join the performing arts union, the American Guild of Musical Artists and Pittsburgh Steeler Lynn Swann joined the PBT Board of Trustees. An ardent dance fan, Swann would prove to be an invaluable support for the growing PBT School.
Frantz indicated to the Board of Trustees his desire to concentrate solely on choreography and in June 1982, Patricia Wilde's appointment to the post was announced. Wilde began to focus on the clean, precise technique for which she herself was known, adding more Balanchine ballets to the repertoire. In the 1983-1984 season, plans were put in place for the company's move to a new location, its current site at 2900 Liberty Avenue. Plans for a new performing arts center in Pittsburgh were put into motion when the Pittsburgh Cultural Trust was formed and began raising funds to support a $42 million restoration of the Stanley Theatre, renamed the Benedum Center for the Performing Arts. In 1983 Pittsburgh Ballet Theatre, together with the Pittsburgh Opera, Civic Light Opera and Pittsburgh Dance Council, agreed to become constituents of the Benedum Center, opened in 1987.
Wilde led PBT from 1982-1997, until the arrival of current Artistic Director Terrence S. Orr, a celebrated American Ballet Theatre ballet master and former principal dancer. In December 2002, PBT mounted a new production of The Nutcracker with choreography by Orr and set and costume designs by renowned New York designer Zack Brown. Orr's Nutcracker is set in turn-of-the-century (1904) Pittsburgh, with scenery and names reflective of Pittsburgh neighborhoods and historical figures.
In 2000, Orr began a series of commissions for contemporary ballets inspired by American music, including such musicians as Indigo in Motion, Ray Brown, Stanley Turrentine, Lena Horne, Billy Strayhorn, Sting, Bruce Springsteen, Paul Simon, Frank Sinatra, and Cole Porter, with choreography of Kevin O'Day, Lynne Taylor-Corbett, Dwight Rhoden, Derek Deane, Matjash Mrozewski, and Twyla Tharp. In the spring of 2006, PBT had the first "Choreographers' Showcase" performance was presented at Pittsburgh High School for the Creative and Performing Arts featuring ballets choreographed by three of PBT's Principal Dancers, Erin Halloran, Ying Li, and Jiabin Pan.
Read more about this topic: Pittsburgh Ballet Theatre
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