Production
The production was shot using high definition digital video cameras and featured over 300 special effects shots. It also included an original music score, later released on a separate soundtrack CD, and was mastered in Dolby Digital 5.1 surround sound. Several scenes were shot on board the Bounty II, a replica of the HMS Bounty, in St. Petersburg, Florida. The owners of the ship were not aware of the true nature of the film as they were advised that the film being made was a "Disney-type pirate film for families", a mistaken notion that would continue in video stores after its release.
The film was initially released as a three-disc DVD set (the movie on a standard video DVD, the movie again in a high definition Windows Media format, and a special features disc) priced as high as $70. An R-rated version of the film was released on DVD on July 11, 2006. Digital Playground also released an Original Motion Picture Soundtrack CD, a rarity among adult video releases.
The film was also released on Blu-ray Disc and HD DVD as one of the first high-definition adult releases on an optical disc format.
Read more about this topic: Pirates (2005 film)
Famous quotes containing the word production:
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)