Origins
The archetypal characteristics of pirates in popular culture largely derive from the Golden Age of Piracy in the late 17th and early 18th centuries, with many examples of pirate fiction being set within this era. Vikings, who were also pirates, took on a distinct and separate archetype in popular culture, dating from the Viking revival. The first major literary work to popularise the subject of pirates was A General History of the Robberies and Murders of the most notorious Pyrates (1724) by Captain Charles Johnson, often regarded as a pseudonym for Daniel Defoe. It is the prime source for the biographies of many well known pirates of the Golden Age, providing an extensive account of the period. In giving an almost mythical status to the more colourful characters, such as the notorious English pirates Blackbeard and Calico Jack, the book provided the standard account of the lives of many pirates in the Golden Age, and influenced pirate literature of Scottish novelists Robert Louis Stevenson and J. M. Barrie. While Johnson's text recounted the lives of many famous pirates from the era, it is likely that he used considerable licence in his accounts of pirate conversations.
Robert Louis Stevenson's Treasure Island (1883) is considered the most influential work of pirate fiction, along with its many film and television adaptations, and introduced or popularised many of the characteristics and cliches now common to the genre. Stevenson identified Johnson's General History of the Pyrates as one of his major influences, and even borrowed one character's name (Israel Hands) from a list of Blackbeard's crew which appeared in Johnson's book.
Read more about this topic: Pirate Books
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