Life and Career
After being raised in Greenville and Spartanburg, South Carolina, he joined Dr. Frank Kerr of the Indian Remedy Company in 1914 to entertain the crowds whilst Kerr tried to sell a concoction purported to have medicinal qualities.
He still "went out" when he could with Leo "Chief Thundercloud" Kahdot (of the Potawatomi native Americans) and his medicine show, often with the Jonesville, South Carolina based harmonica-player Arthur "Peg Leg Sam" Jackson. In May 1950, Anderson was recorded by folklorist Paul Clayton at the Virginia State Fair. Heart problems eventually forced Anderson to retire from the road in 1957. He was once more recorded at his home in 1962 by Samuel Charters.
"Anderson went on to make an album on his own after the blues revival commenced in the early 1960s" and played some folk clubs, "establishing him as a minor but worthy exponent of the Piedmont school, versed in blues, ragtime, and folk songs". He also appeared in the 1963 film, The Bluesmen. A stroke in the late 1960s curtailed his musical activity. Attempts by folklorist Peter B. Lowry in 1970 to get Anderson on tape were not successful, although apparently he could occasionally summon up some of his past abilities. A final tour took place in the early 1970s with the aid of Roy Book Binder, one of his "students", taking him to Boston and New York.
He died in October 1974, of a heart attack at the age of 74. He is interred at Lincoln Memorial Gardens in Spartanburg. Anderson's son, known as Little Pink Anderson (b. July 13, 1954), is currently a bluesman living in Vermillion, South Dakota.
Read more about this topic: Pink Anderson
Famous quotes containing the words life and/or career:
“Like children, the elders are a burden. But unlike children, they offer no hope or promise. They are a weight and an encumbrance and a mirror of our own mortality. It takes a person of great heart to see past this fact and to see the wisdom the elders have to offer, and so serve them out of gratitude for the life they have passed on to us.”
—Kent Nerburn (20th century)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)