Late 20th/early 21st Centuries (1951- )
In the latter half of the 20th century, Pierrot continued to appear in the art of the Modernists—or at least of the long-lived among them: Chagall, Ernst, Goleminov, Hopper, Miró, Picasso—as well as in the work of their younger followers, such as Gerard Dillon, Indrek Hirv, and Roger Redgate. And when film arrived at a pinnacle of auteurism in the 1950s and '60s, aligning it with the earlier Modernist aesthetic, some of its most celebrated directors—Bergman, Fellini, Godard—turned naturally to Pierrot.
But Pierrot's most prominent place in the late 20th century, as well as in the early 21st, has been in popular, not High Modernist, art. As the entries below tend to testify, Pierrot is most visible (as in the 18th century) in unapologetically popular genres—in circus acts and street-mime sketches, TV programs and Japanese anime, comic books and graphic novels, children's books and "young adult" fiction (especially fantasy and, in particular, vampire fiction), Hollywood films, and pop and rock music. He generally assumes one of three avatars: the sweet and innocent child (as in the children's books), the poignantly lovelorn and ineffectual being (as, notably, in the Jerry Cornelius novels of Michael Moorcock), or the somewhat sinister and depraved outsider (as in David Bowie's various experiments, or Rachel Caine's vampire novels, or the S&M lyrics of the English rock group Placebo).
The format of the lists that follow is the same as that of the previous section, except for the Western pop-music singers and groups. These are listed alphabetically by first name, not last (e.g., "Stevie Wonder", not "Wonder, Stevie").
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Famous quotes containing the words late, early and/or centuries:
“None will now find Cupid latent
By this foolish antique patent.
He came late along the waste,
Shod like a traveller for haste.”
—Ralph Waldo Emerson (1803–1882)
“On the Coast of Coromandel
Where the early pumpkins blow,
In the middle of the woods
Lived the Yonghy-Bonghy-Bo.
Two old chairs, and half a candle,—
One old jug without a handle,—
These were all his worldly goods:
In the middle of the woods,”
—Edward Lear (1812–1888)
“Other centuries had their driving forces. What will ours have been when men look far back to it one day? Maybe it won’t be the American Century, after all. Or the Russian Century or the Atomic Century. Wouldn’t it be wonderful, Phil, if it turned out to be everybody’s century, when people all over the world—free people—found a way to live together? I’d like to be around to see some of that, even the beginning.”
—Moss Hart (1904–1961)