Content and Sources
The work is divided into four books, which exhibit a marked absence of systematic exposition. Jean Seznec observed "Picatrix prescribes propitious times and places and the attitude and gestures of the suppliant; he also indicates what terms must be used in petitioning the stars." As an example, Seznec then reproduces a prayer to Saturn from the work, noting that Fritz Saxl has pointed out that this invocation exhibits "the accent and even the very terms of a Greek astrological prayer to Kronos. This is one indication that the sources of Picatrix are in large part Hellenistic.":
O Master of sublime name and great power, supreme Master; O Master Saturn: Thou, the Cold, the Sterile, the Mournful, the Pernicious; Thou, whose life is sincere and whose word sure; Thou, the Sage and Solitary, the Impenetrable; Thou, whose promises are kept; Thou who art weak and weary; Thou who hast cares greater than any other, who knowest neither pleasure nor joy; Thou, the old and cunning, master of all artifice, deceitful, wise, and judicious; Thou who bringest prosperity or ruin, and makest men to be happy or unhappy! I conjure thee, O Supreme Father, by Thy great benevolence and Thy generous bounty, to do for me what I ask
According to Garin:
The work's point of departure is the unity of reality divided into symmetrical and corresponding degrees, planes or worlds: a reality stretched between two poles: the original One, God the source of all existence, and man, the microcosm, who, with his science (scientia) brings the dispersion back to its origin, identifying and using their correspondences.
According to the Prologue, the author researched over two hundred works in the creation of Picatrix. However, there are three significant Near/Middle Eastern influences: Jābir ibn Hayyān, the Ikhwan al-Safa, and a text called Nabataean Agriculture. The influence of Jabir Ibn Hayyan comes in the form of a cosmological background that removes magical practices from the context of diabolical influences and reasserts these practices as having a divine origin. The author of Picatrix utilizes Neoplatonic theories of hypostasis that mirror the work of Jabir.
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