Piazza Navona - Literature and Films

Literature and Films

  • The piazza is featured in Dan Brown's 2000 thriller Angels and Demons, in which the Fontana dei Quattro Fiumi (the "Fountain of the Four Rivers", i.e. the Danube, the Ganges, the Nile, and the Rio de la Plata) is listed as one of the Altars of Science. During June 2008, Ron Howard directed several scenes of the film adaptation of Angels and Demons on the southern section of the Piazza Navona, featuring Tom Hanks.
  • The piazza is featured in several scenes of director Mike Nichols' 1970 adaptation of Joseph Heller's novel, Catch-22.
  • The Fontana dei Quattro Fiumi was used in the 1990 film Coins in the Fountain. The characters threw coins into the fountain as they made wishes. The Trevi Fountain was used in the 1954 version of the film.
  • Sophia Loren's character, Mara, lives in a second-floor apartment overlooking Piazza Navona, in the 1964 Italian comedy film Yesterday, Today and Tomorrow ("ieri, oggi, domani").

Read more about this topic:  Piazza Navona

Famous quotes containing the words literature and, literature and/or films:

    Views of women, on one side, as inwardly directed toward home and family and notions of men, on the other, as outwardly striving toward fame and fortune have resounded throughout literature and in the texts of history, biology, and psychology until they seem uncontestable. Such dichotomous views defy the complexities of individuals and stifle the potential for people to reveal different dimensions of themselves in various settings.
    Sara Lawrence Lightfoot (20th century)

    Our leading men are not of much account and never have been, but the average of the people is immense, beyond all history. Sometimes I think in all departments, literature and art included, that will be the way our superiority will exhibit itself. We will not have great individuals or great leaders, but a great average bulk, unprecedentedly great.
    Walt Whitman (1819–1892)

    If you want to know all about Andy Warhol, just look at the surface: of my paintings and films and me, and there I am. There’s nothing behind it.
    Andy Warhol (c. 1928–1987)