Virtual Keyboard
Key number |
Helmholtz name |
Scientific name |
Frequency (Hz) | Corresponding Open Strings | ||||
---|---|---|---|---|---|---|---|---|
Violin | Viola | Cello | Bass | Guitar | ||||
88 | c′′′′′ 5-line octave | C8 Eighth octave | 4186.01 | |||||
87 | b′′′′ | B7 | 3951.07 | |||||
86 | a♯′′′′/b♭′′′′ | A♯7/B♭7 | 3729.31 | |||||
85 | a′′′′ | A7 | 3520.00 | |||||
84 | g♯′′′′/a♭′′′′ | G♯7/A♭7 | 3322.44 | |||||
83 | g′′′′ | G7 | 3135.96 | |||||
82 | f♯′′′′/g♭′′′′ | F♯7/G♭7 | 2959.96 | |||||
81 | f′′′′ | F7 | 2793.83 | |||||
80 | e′′′′ | E7 | 2637.02 | |||||
79 | d♯′′′′/e♭′′′′ | D♯7/E♭7 | 2489.02 | |||||
78 | d′′′′ | D7 | 2349.32 | |||||
77 | c♯′′′′/d♭′′′′ | C♯7/D♭7 | 2217.46 | |||||
76 | c′′′′ 4-line octave | C7 Double high C | 2093.00 | |||||
75 | b′′′ | B6 | 1975.53 | |||||
74 | a♯′′′/b♭′′′ | A♯6/B♭6 | 1864.66 | |||||
73 | a′′′ | A6 | 1760.00 | |||||
72 | g♯′′′/a♭′′′ | G♯6/A♭6 | 1661.22 | |||||
71 | g′′′ | G6 | 1567.98 | |||||
70 | f♯′′′/g♭′′′ | F♯6/G♭6 | 1479.98 | |||||
69 | f′′′ | F6 | 1396.91 | |||||
68 | e′′′ | E6 | 1318.51 | High E (24th Fret) | ||||
67 | d♯′′′/e♭′′′ | D♯6/E♭6 | 1244.51 | |||||
66 | d′′′ | D6 | 1174.66 | |||||
65 | c♯′′′/d♭′′′ | C♯6/D♭6 | 1108.73 | |||||
64 | c′′′ 3-line octave | C6 Soprano C (High C) | 1046.50 | |||||
63 | b′′ | B5 | 987.767 | |||||
62 | a♯′′/b♭′′ | A♯5/B♭5 | 932.328 | |||||
61 | a′′ | A5 | 880.000 | |||||
60 | g♯′′/a♭′′ | G♯5/A♭5 | 830.609 | |||||
59 | g′′ | G5 | 783.991 | |||||
58 | f♯′′/g♭′′ | F♯5/G♭5 | 739.989 | |||||
57 | f′′ | F5 | 698.456 | |||||
56 | e′′ | E5 | 659.255 | E | ||||
55 | d♯′′/e♭′′ | D♯5/E♭5 | 622.254 | |||||
54 | d′′ | D5 | 587.330 | |||||
53 | c♯′′/d♭′′ | C♯5/D♭5 | 554.365 | |||||
52 | c′′ 2-line octave | C5 Tenor C | 523.251 | |||||
51 | b′ | B4 | 493.883 | |||||
50 | a♯′/b♭′ | A♯4/B♭4 | 466.164 | |||||
49 | a′ | A4 A440 | 440.000 | A | A | |||
48 | g♯′/a♭′ | G♯4/A♭4 | 415.305 | |||||
47 | g′ | G4 | 391.995 | |||||
46 | f♯′/g♭′ | F♯4/G♭4 | 369.994 | |||||
45 | f′ | F4 | 349.228 | |||||
44 | e′ | E4 | 329.628 | High E | ||||
43 | d♯′/e♭′ | D♯4/E♭4 | 311.127 | |||||
42 | d′ | D4 | 293.665 | D | D | |||
41 | c♯′/d♭′ | C♯4/D♭4 | 277.183 | |||||
40 | c′ 1-line octave | C4 Middle C | 261.626 | |||||
39 | b | B3 | 246.942 | B | ||||
38 | a♯/b♭ | A♯3/B♭3 | 233.082 | |||||
37 | a | A3 | 220.000 | A | ||||
36 | g♯/a♭ | G♯3/A♭3 | 207.652 | |||||
35 | g | G3 | 195.998 | G | G | G | ||
34 | f♯/g♭ | F♯3/G♭3 | 184.997 | |||||
33 | f | F3 | 174.614 | F (7-string) | ||||
32 | e | E3 | 164.814 | |||||
31 | d♯/e♭ | D♯3/E♭3 | 155.563 | |||||
30 | d | D3 | 146.832 | D | D | |||
29 | c♯/d♭ | C♯3/D♭3 | 138.591 | |||||
28 | c small octave | C3 Low C | 130.813 | C | C (6 string) | |||
27 | B | B2 | 123.471 | |||||
26 | A♯/B♭ | A♯2/B♭2 | 116.541 | |||||
25 | A | A2 | 110.000 | A | ||||
24 | G♯/A♭ | G♯2/A♭2 | 103.826 | |||||
23 | G | G2 | 97.9989 | G | G | |||
22 | F♯/G♭ | F♯2/G♭2 | 92.4986 | |||||
21 | F | F2 | 87.3071 | |||||
20 | E | E2 | 82.4069 | Low E | ||||
19 | D♯/E♭ | D♯2/E♭2 | 77.7817 | |||||
18 | D | D2 | 73.4162 | D | ||||
17 | C♯/D♭ | C♯2/D♭2 | 69.2957 | |||||
16 | C great octave | C2 Deep C | 65.4064 | C | ||||
15 | B͵ | B1 | 61.7354 | B (7 string) | ||||
14 | A♯͵/B♭͵ | A♯1/B♭1 | 58.2705 | |||||
13 | A͵ | A1 | 55.0000 | A | ||||
12 | G♯͵/A♭͵ | G♯1/A♭1 | 51.9131 | |||||
11 | G͵ | G1 | 48.9994 | |||||
10 | F♯͵/G♭͵ | F♯1/G♭1 | 46.2493 | F# (8 string) | ||||
9 | F͵ | F1 | 43.6535 | |||||
8 | E͵ | E1 | 41.2034 | E | ||||
7 | D♯͵/E♭͵ | D♯1/E♭1 | 38.8909 | |||||
6 | D͵ | D1 | 36.7081 | |||||
5 | C♯͵/D♭͵ | C♯1/D♭1 | 34.6478 | |||||
4 | C͵ contra-octave | C1 Pedal C | 32.7032 | |||||
3 | B͵͵ | B0 | 30.8677 | B (5 string) | ||||
2 | A♯͵͵/B♭͵͵ | A♯0/B♭0 | 29.1352 | |||||
1 | A͵͵ sub-contra-octave | A0 Double Pedal A | 27.5000 |
Read more about this topic: Piano Key Frequencies
Famous quotes containing the word virtual:
“Neither dead nor alive, the hostage is suspended by an incalculable outcome. It is not his destiny that awaits for him, nor his own death, but anonymous chance, which can only seem to him something absolutely arbitrary.... He is in a state of radical emergency, of virtual extermination.”
—Jean Baudrillard (b. 1929)