Virtual Keyboard
| Key number |
Helmholtz name |
Scientific name |
Frequency (Hz) | Corresponding Open Strings | ||||
|---|---|---|---|---|---|---|---|---|
| Violin | Viola | Cello | Bass | Guitar | ||||
| 88 | c′′′′′ 5-line octave | C8 Eighth octave | 4186.01 | |||||
| 87 | b′′′′ | B7 | 3951.07 | |||||
| 86 | a♯′′′′/b♭′′′′ | A♯7/B♭7 | 3729.31 | |||||
| 85 | a′′′′ | A7 | 3520.00 | |||||
| 84 | g♯′′′′/a♭′′′′ | G♯7/A♭7 | 3322.44 | |||||
| 83 | g′′′′ | G7 | 3135.96 | |||||
| 82 | f♯′′′′/g♭′′′′ | F♯7/G♭7 | 2959.96 | |||||
| 81 | f′′′′ | F7 | 2793.83 | |||||
| 80 | e′′′′ | E7 | 2637.02 | |||||
| 79 | d♯′′′′/e♭′′′′ | D♯7/E♭7 | 2489.02 | |||||
| 78 | d′′′′ | D7 | 2349.32 | |||||
| 77 | c♯′′′′/d♭′′′′ | C♯7/D♭7 | 2217.46 | |||||
| 76 | c′′′′ 4-line octave | C7 Double high C | 2093.00 | |||||
| 75 | b′′′ | B6 | 1975.53 | |||||
| 74 | a♯′′′/b♭′′′ | A♯6/B♭6 | 1864.66 | |||||
| 73 | a′′′ | A6 | 1760.00 | |||||
| 72 | g♯′′′/a♭′′′ | G♯6/A♭6 | 1661.22 | |||||
| 71 | g′′′ | G6 | 1567.98 | |||||
| 70 | f♯′′′/g♭′′′ | F♯6/G♭6 | 1479.98 | |||||
| 69 | f′′′ | F6 | 1396.91 | |||||
| 68 | e′′′ | E6 | 1318.51 | High E (24th Fret) | ||||
| 67 | d♯′′′/e♭′′′ | D♯6/E♭6 | 1244.51 | |||||
| 66 | d′′′ | D6 | 1174.66 | |||||
| 65 | c♯′′′/d♭′′′ | C♯6/D♭6 | 1108.73 | |||||
| 64 | c′′′ 3-line octave | C6 Soprano C (High C) | 1046.50 | |||||
| 63 | b′′ | B5 | 987.767 | |||||
| 62 | a♯′′/b♭′′ | A♯5/B♭5 | 932.328 | |||||
| 61 | a′′ | A5 | 880.000 | |||||
| 60 | g♯′′/a♭′′ | G♯5/A♭5 | 830.609 | |||||
| 59 | g′′ | G5 | 783.991 | |||||
| 58 | f♯′′/g♭′′ | F♯5/G♭5 | 739.989 | |||||
| 57 | f′′ | F5 | 698.456 | |||||
| 56 | e′′ | E5 | 659.255 | E | ||||
| 55 | d♯′′/e♭′′ | D♯5/E♭5 | 622.254 | |||||
| 54 | d′′ | D5 | 587.330 | |||||
| 53 | c♯′′/d♭′′ | C♯5/D♭5 | 554.365 | |||||
| 52 | c′′ 2-line octave | C5 Tenor C | 523.251 | |||||
| 51 | b′ | B4 | 493.883 | |||||
| 50 | a♯′/b♭′ | A♯4/B♭4 | 466.164 | |||||
| 49 | a′ | A4 A440 | 440.000 | A | A | |||
| 48 | g♯′/a♭′ | G♯4/A♭4 | 415.305 | |||||
| 47 | g′ | G4 | 391.995 | |||||
| 46 | f♯′/g♭′ | F♯4/G♭4 | 369.994 | |||||
| 45 | f′ | F4 | 349.228 | |||||
| 44 | e′ | E4 | 329.628 | High E | ||||
| 43 | d♯′/e♭′ | D♯4/E♭4 | 311.127 | |||||
| 42 | d′ | D4 | 293.665 | D | D | |||
| 41 | c♯′/d♭′ | C♯4/D♭4 | 277.183 | |||||
| 40 | c′ 1-line octave | C4 Middle C | 261.626 | |||||
| 39 | b | B3 | 246.942 | B | ||||
| 38 | a♯/b♭ | A♯3/B♭3 | 233.082 | |||||
| 37 | a | A3 | 220.000 | A | ||||
| 36 | g♯/a♭ | G♯3/A♭3 | 207.652 | |||||
| 35 | g | G3 | 195.998 | G | G | G | ||
| 34 | f♯/g♭ | F♯3/G♭3 | 184.997 | |||||
| 33 | f | F3 | 174.614 | F (7-string) | ||||
| 32 | e | E3 | 164.814 | |||||
| 31 | d♯/e♭ | D♯3/E♭3 | 155.563 | |||||
| 30 | d | D3 | 146.832 | D | D | |||
| 29 | c♯/d♭ | C♯3/D♭3 | 138.591 | |||||
| 28 | c small octave | C3 Low C | 130.813 | C | C (6 string) | |||
| 27 | B | B2 | 123.471 | |||||
| 26 | A♯/B♭ | A♯2/B♭2 | 116.541 | |||||
| 25 | A | A2 | 110.000 | A | ||||
| 24 | G♯/A♭ | G♯2/A♭2 | 103.826 | |||||
| 23 | G | G2 | 97.9989 | G | G | |||
| 22 | F♯/G♭ | F♯2/G♭2 | 92.4986 | |||||
| 21 | F | F2 | 87.3071 | |||||
| 20 | E | E2 | 82.4069 | Low E | ||||
| 19 | D♯/E♭ | D♯2/E♭2 | 77.7817 | |||||
| 18 | D | D2 | 73.4162 | D | ||||
| 17 | C♯/D♭ | C♯2/D♭2 | 69.2957 | |||||
| 16 | C great octave | C2 Deep C | 65.4064 | C | ||||
| 15 | B͵ | B1 | 61.7354 | B (7 string) | ||||
| 14 | A♯͵/B♭͵ | A♯1/B♭1 | 58.2705 | |||||
| 13 | A͵ | A1 | 55.0000 | A | ||||
| 12 | G♯͵/A♭͵ | G♯1/A♭1 | 51.9131 | |||||
| 11 | G͵ | G1 | 48.9994 | |||||
| 10 | F♯͵/G♭͵ | F♯1/G♭1 | 46.2493 | F# (8 string) | ||||
| 9 | F͵ | F1 | 43.6535 | |||||
| 8 | E͵ | E1 | 41.2034 | E | ||||
| 7 | D♯͵/E♭͵ | D♯1/E♭1 | 38.8909 | |||||
| 6 | D͵ | D1 | 36.7081 | |||||
| 5 | C♯͵/D♭͵ | C♯1/D♭1 | 34.6478 | |||||
| 4 | C͵ contra-octave | C1 Pedal C | 32.7032 | |||||
| 3 | B͵͵ | B0 | 30.8677 | B (5 string) | ||||
| 2 | A♯͵͵/B♭͵͵ | A♯0/B♭0 | 29.1352 | |||||
| 1 | A͵͵ sub-contra-octave | A0 Double Pedal A | 27.5000 | |||||
Read more about this topic: Piano Key Frequencies
Famous quotes containing the word virtual:
“Tragedy dramatizes human life as potentiality and fulfillment. Its virtual future, or Destiny, is therefore quite different from that created in comedy. Comic Destiny is Fortune—what the world will bring, and the man will take or miss, encounter or escape; tragic Destiny is what the man brings, and the world will demand of him. That is his Fate.”
—Susanne K. Langer (1895–1985)