Piano Concerto (Grieg) - Structure

Structure

The concerto is in three movements:

  1. Allegro molto moderato (A minor)
  2. Adagio (D flat major)
  3. Allegro moderato molto e marcato - Quasi presto - Andante maestoso (A minor → F major → A minor → A major)

The first movement is noted for the timpani roll in the first bar that leads to a dramatic piano flourish. The movement is in the Sonata form. The movement finishes with a virtuosic cadenza and a similar flourish as in the beginning.

The second movement is a lyrical movement in D flat major, which leads directly into the third movement.

The third movement opens in A minor 4/4 time with an energetic theme (Theme 1), which is followed by a lyrical theme in F Major (Theme 2). The movement returns to Theme 1. Following this recapitulation is the 3/4 A Major Quasi presto section, which consists of a variation of Theme 1. The movement concludes with the Andante maestoso in A Major (or in A mixolydian), which consists of a dramatic rendition of Theme 2 (as opposed to the lyrical fashion with which Theme 2 is introduced).

Performance time of the whole concerto is around 28 minutes.

Read more about this topic:  Piano Concerto (Grieg)

Famous quotes containing the word structure:

    Just as a new scientific discovery manifests something that was already latent in the order of nature, and at the same time is logically related to the total structure of the existing science, so the new poem manifests something that was already latent in the order of words.
    Northrop Frye (b. 1912)

    Vashtar: So it’s finished. A structure to house one man and the greatest treasure of all time.
    Senta: And a structure that will last for all time.
    Vashtar: Only history will tell that.
    Senta: Sire, will he not be remembered?
    Vashtar: Yes, he’ll be remembered. The pyramid’ll keep his memory alive. In that he built better than he knew.
    William Faulkner (1897–1962)

    It is difficult even to choose the adjective
    For this blank cold, this sadness without cause.
    The great structure has become a minor house.
    No turban walks across the lessened floors.
    The greenhouse never so badly needed paint.
    Wallace Stevens (1879–1955)