Pia Miranda - Film and Television Career

Film and Television Career

Born in Melbourne, Australia, Pia Miranda is of Italian descent and spent the majority of her early life travelling throughout Australia with her family, attending a large number of schools. After completing her high school certificate, Miranda enrolled at La Trobe University in Melbourne, Victoria, studying Drama, majoring in acting.

After the completion of her Degree in Drama, Miranda began a Bachelor of Arts degree at Victoria University, Australia, majoring in theatre, chosen because of its strong content in the subject. Soon after this, Miranda found herself playing Karen Oldman on the Australian soap Neighbours, from 1998 to 1999. At this time, Miranda was also starring in the ABC television series Bondi Banquet, playing Jo Tognetti. This was the starting point for Miranda's future success within the Australian film and television industry, quickly being chosen for the role of Josephine Alibrandi in the hugely successful Australian movie Looking for Alibrandi, directed by Kate Woods in 1999.

The movie was based on the very popular novel written by Melina Marchetta in 1992, where seventeen-year-old Josephine Alibrandi deals with the stresses of Year Twelve, her illegitimacy, the reunion with her father, new-found companionship, the death of her close friend and life as a third-generation migrant in contemporary Australian society. Pia Miranda co-starred with fellow prominent Australian actors Kick Gurry, Anthony LaPaglia, Greta Scacchi, Elana Cotta and Matthew Newton. The movie received critical acclaim, with Pia Miranda receiving the Australian Film Institute award in 2000 for Best Actress for her performance.

In 2002, Pia Miranda played a small role in the US movie, Queen of the Damned, although her scene was cut from the film as it appeared on the DVD. Also in 2002, Pia Miranda starred in The Doppelgangers. The movie was part of a project where eight award-winning Australian filmmakers were given a short film script by celebrated writer Brendan Cowell. Filmmakers had to name their own film and characters and adhere to a set of rules, such as shooting on digital cameras and making no dialogue changes. The project had limited success.

Following The Doppelgangers, Pia Miranda starred in another Australian film Garage Days, playing Tanya. The coming-of-age comedy revolved around a young Sydney band trying to gain a foothold in the competitive pub rock scene. The movie was well received within Australia and is available on DVD. In 2003, Pia Miranda played the role of Leanne Ferris in Travelling Light, about two sisters growing up in Adelaide in the early 1970s. Following this, Pia also starred in Right Here Right Now in 2004, her most recent acting role.

Though Pia Miranda is best known as a film actress, she has also featured in some of Australia's leading television series. She was a recurring guest star on the long-running drama All Saints in 1998, and the popular Australian drama The Secret Life of Us, playing Talia. Miranda has also been featured in The Glass House, Grass Roots and the Australian talk show The Panel.

She has also worked as a celebrity artist for A Midwinter Night’s Dream, a ticketed charity auction of art with pillow cases as the medium and inspired by the childhood dreams of artists and celebrities, to raise money for War Child Australia. Pia was also a judge for the 2005 Project Greenlight competition, with fellow actors such as Sam Worthington. Pia's sister, Nicole Miranda, starred in the Australian film Moving Out with Vince Collosimo.

Is also the main character in the film clip, Teenager of the Year – Lo-Tel.

Read more about this topic:  Pia Miranda

Famous quotes containing the words film, television and/or career:

    I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you’re making a horror film doesn’t mean you can’t make an artful film.
    David Cronenberg (b. 1943)

    The television screen, so unlike the movie screen, sharply reduced human beings, revealed them as small, trivial, flat, in two banal dimensions, drained of color. Wasn’t there something reassuring about it!—that human beings were in fact merely images of a kind registered in one another’s eyes and brains, phenomena composed of microscopic flickering dots like atoms. They were atoms—nothing more. A quick switch of the dial and they disappeared and who could lament the loss?
    Joyce Carol Oates (b. 1938)

    From a hasty glance through the various tests I figure it out that I would be classified in Group B, indicating “Low Average Ability,” reserved usually for those just learning to speak the English Language and preparing for a career of holding a spike while another man hits it.
    Robert Benchley (1889–1945)