Hegel's Possible Influence
Scholars such as Karl Löwith and Lawrence Stepelevich have argued that Hegel was a major influence on The Ego and Its Own. Stepelevich argues, that while The Ego and its Own evidently has an "un-Hegelian structure and tone to the work as a whole", as well as being fundamentally hostile to Hegel's conclusions about the self and the world, this does not mean that Hegel had no effect on Stirner.
The main juncture leading from Hegel to Stirner is found at the termination of a phenomenological passage to absolute knowledge. Stirner's work is most clearly understood when it is taken to be the answer to the question, 'what role will consciousness play after it has traversed the series of shapes known as 'untrue' knowledge and has attained to absolute knowledge?
— Lawrence Stepelevich, 'Max Stirner as Hegelian, Journal of the History of Ideas, v.15, pp. 597-614 (1985).
To go beyond and against Hegel in true dialectical fashion is in some way continuing Hegel's project, and Stepelevich argues that this effort of Stirner's is, in fact a completion of Hegel's project . Stepelevich concludes his argument referring to Jean Hyppolite, who in summing up the intention of Hegel's Phenomenology, stated: "The history of the world is finished; all that is needed is for the specific individual to rediscover it in himself."
Stirner as an Einziger took himself directly to be that 'specific individual' and then went on as a Hegelian to propose the practical consequence which would ultimately follow upon that theoretical rediscovery, the free play of self-consciousness among the objects of its own determination: "The idols exist through me; I need only refrain from creating them anew, then they exist no longer: 'higher powers' exist only through my exalting them and abasing myself.... My intercourse with the world consists in my enjoying it, and so consuming it for my self-enjoyment" (Ego, 319)
— Lawrence Stepelevich, 'Max Stirner as Hegelian'
However, Widukind De Ridder has argued that scholars who take Stirner's references to Hegel and the Young Hegelians as expressions of his own alleged Hegelianism are highly mistaken. De Ridder argues that The Ego and Its Own is in part a carefully constructed parody of Hegelianism, deliberately exposing its outwornness as a system of thought, and that Stirner's notions of "ownness" and "egoism" were part of his radical criticism of the implicit teleology of Hegelian dialectics.
Read more about this topic: Philosophy Of Max Stirner
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