Music
The Phil & Friends concept takes the music of the Grateful Dead (and an ever-increasing number of other influences, including Bob Dylan, Traffic, The Beatles, Led Zeppelin, Warren Haynes' Gov't Mule, the Allman Brothers, etc.) and explores and interprets it in new ways. Through the period known as the Quintet years (see below), a Phil & Friends show was often focused on harder, faster rock than that which the Grateful Dead played, thanks in large part to Haynes' and Herring's talents at the Southern rock style. Lesh was fond of calling it "Dixieland-style rock." However, all of the incarnations of Phil & Friends have followed a trend of "updating" the Grateful Dead's massive body of work, and all have been extremely adept at the long, exploratory jams that were a trademark of the Dead. Phil & Friends has been acclaimed for giving new life to the Grateful Dead's material, bringing in new styles and innovations, while at the same time remaining loyal to the original music and the original fans. It is this melding of musical influences that has given them extremely wide appeal not only among old Deadheads, but the modern-day fans of other jam bands as well.
Phil & Friends has continued the Grateful Dead's tradition of allowing fans to record concerts, and trade these recordings freely. The Internet has been an invaluable source for these tapers to disseminate this music through various sources, including Archive.org, and the vast BitTorrent file-sharing network. Phil has also embraced the Internet by providing free soundboard recordings of many concerts through his website, even providing high-resolution CD covers for fans to print. For his Summer 2006 tour, Phil partnered with Instant Live, a company that was able to provide soundboard CDs of a concert immediately upon its finishing, as well as make these recordings available for fans to download online, though this service was not free.
Read more about this topic: Phil Lesh And Friends
Famous quotes containing the word music:
“While the music is performed, the cameras linger savagely over the faces of the audience. What a bottomless chasm of vacuity they reveal! Those who flock round the Beatles, who scream themselves into hysteria, whose vacant faces flicker over the TV screen, are the least fortunate of their generation, the dull, the idle, the failures . . .”
—Paul Johnson (b. 1928)
“I defied the machinery to make me its slave. Its incessant discords could not drown the music of my thoughts if I would let them fly high enough.”
—Lucy Larcom (1824–1893)
“As polishing expresses the vein in marble, and grain in wood, so music brings out what of heroic lurks anywhere. The hero is the sole patron of music.”
—Henry David Thoreau (1817–1862)