Pharsalia - Influence

Influence

Lucan's work was popular in his own day and remained a school text in late antiquity and during the Middle Ages. Over 400 manuscripts survive; its interest to the court of Charlemagne is evidenced by the existence of five complete manuscripts from the 9th century. Dante includes Lucan among other classical poets in the first circle of the Inferno, and draws on the Pharsalia in the scene with Antaeus (a giant depicted in a story from Lucan's book IV).

Christopher Marlowe published a translation of Book I, while Thomas May followed with a complete translation into heroic couplets in 1626. The success of this translation led May to write a Latin continuation of Lucan's incomplete poem. The seven books of May's effort take the story through to Caesar's assassination.

The line Victrix causa deis placuit sed victa Catoni has been a favorite for supporters of 'lost' causes over the centuries; it can be translated as "the winning cause pleased the gods, but the losing cause pleased Cato". One American example comes from the Confederate Memorial at Arlington National Cemetery, which has these words in Latin inscribed on its base.

The English poet and classicist A.E. Housman published a landmark critical edition of the poem in 1926.

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