History
Phantom powering was used in telephone systems since the introduction of the rotary-dial telephone in 1919 before it was applied to condenser microphones. One such application in the telephone system was to provide a DC signaling path around transformer connected amplifiers in analogue line transmission systems. The first known commercially available phantom-powered microphone was the Schoeps model CMT 20, which came out in 1964, built to the specifications of French radio with 9–12 volt DC phantom power; the positive pole of this powering was grounded. Microphone preamplifiers of the Nagra IV-series tape recorders offered this type of powering as an option for many years and Schoeps continued to support "negative phantom" until the CMT series was discontinued in the mid-1970s, but it is obsolete now.
In 1966, Neumann GmbH of Berlin, Germany, presented a new type of transistorized microphone to the Norwegian Broadcasting Corporation, NRK. Norwegian Radio had requested phantom-powered operation. Since NRK already had 48 V available in their studios for their emergency lighting systems, this voltage was therefore used for powering the new microphones (model KM 84), and is the origin of 48-V phantom power. This arrangement was later standardized in DIN 45596.
The prevailing international standard, IEC 61938, defines 48-volt, 24-volt, and 12-volt phantom powering. The signal conductors are positive, both fed through resistors of equal value (for 48-volt phantom powering, the standard value is 6.8 kΩ), and the shield is ground. The 6.8 kΩ value is not critical, but the resistors must be matched to within 0.4% or better to maintain good common-mode rejection in the circuit. The 24-volt version of phantom powering, proposed quite a few years after the 12 and 48 V versions, was also included in the DIN standard and is in the IEC standard, but it was never widely adopted by equipment manufacturers.
Read more about this topic: Phantom Voltage
Famous quotes containing the word history:
“When the history of this period is written, [William Jennings] Bryan will stand out as one of the most remarkable men of his generation and one of the biggest political men of our country.”
—William Howard Taft (18571930)
“The history of modern art is also the history of the progressive loss of arts audience. Art has increasingly become the concern of the artist and the bafflement of the public.”
—Henry Geldzahler (19351994)
“We said that the history of mankind depicts man; in the same way one can maintain that the history of science is science itself.”
—Johann Wolfgang Von Goethe (17491832)